Oxford Art Online 2003
DOI: 10.1093/gao/9781884446054.article.t016327
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Chermayeff [Issakovitch], Serge

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“…As Alan Powers writes: 'All three principals shared a romantic view of the Mediterranean as the cradle of western culture, and contrasted its timeless values with the shortcomings of the industrialized west.' 70 Ultimately, the Academy enterprise was about a geographical shift in Modernism, back towards the Mediterranean roots which had inspired Le Corbusier and others, away from the Northern European pragmatism which had become dominant. It had political as well as aesthetic implications, its agenda affirming nothing less than Mediterranean Europe's central role in the cultural world.…”
Section: A N E W C L a S S I C A L Unitymentioning
confidence: 99%
“…As Alan Powers writes: 'All three principals shared a romantic view of the Mediterranean as the cradle of western culture, and contrasted its timeless values with the shortcomings of the industrialized west.' 70 Ultimately, the Academy enterprise was about a geographical shift in Modernism, back towards the Mediterranean roots which had inspired Le Corbusier and others, away from the Northern European pragmatism which had become dominant. It had political as well as aesthetic implications, its agenda affirming nothing less than Mediterranean Europe's central role in the cultural world.…”
Section: A N E W C L a S S I C A L Unitymentioning
confidence: 99%