2013
DOI: 10.1080/00387010.2013.772901
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Chemical Analysis of Historic Art and Painting Conservation Materials (19th and 20th Centuries) from the National Museum in Krakow by Gas Chromatography–Mass Spectrometry and Fourier Transform Infrared Spectroscopy

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Cited by 4 publications
(2 citation statements)
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“…Because traditional varnishes based on natural materials are not stable forever and deteriorate in time, they are replaced during periodical conservation. Along centuries, many different materials were used to prepare varnishes, what additionally helps researchers to verify the origin of the artwork and to select proper materials for future conservations (Gołębiowski et al, 2014).…”
Section: Natural Resins-varnishesmentioning
confidence: 99%
“…Because traditional varnishes based on natural materials are not stable forever and deteriorate in time, they are replaced during periodical conservation. Along centuries, many different materials were used to prepare varnishes, what additionally helps researchers to verify the origin of the artwork and to select proper materials for future conservations (Gołębiowski et al, 2014).…”
Section: Natural Resins-varnishesmentioning
confidence: 99%
“…Nowadays, due to the need for high sensitivity, reliability and non‐destructiveness, several analytical methods are continuously been developed to study cultural heritage objects, including numismatic collections. Vibrational spectroscopy methods (infrared absorption spectroscopy and Raman spectroscopy), X‐ray fluorescence (XRF), and ion beam analysis techniques (particle‐induced X‐ray emission [PIXE], particle‐induced γ‐ray emission, and Rutherford backscattering spectrometry) are the most commonly used in this area and allow for high sensitivity and reliable identification . These kinds of studies are useful to enrich the discussion on many historical aspects, such as coinage production, provenance of raw materials, forgeries, and conservation treatments .…”
Section: Introductionmentioning
confidence: 99%