Charting Rocks in the Golden Stream: Or, Why Textual Ornaments Matter to Victorian Periodicals Studies

This essay calls for the concerted study of editorship as a distinct mode of cultural expression. Given that the collaborative craft of editors is often invisible, the study of editorship requires attending to the practices, habits, and techniques of editing as themselves historically contingent and significant objects of inquiry. This essay analyzes a cross section of editorial practices in 1862 when a controversy during the Civil War over slavery and emancipation entangled editors from Horace Greeley and Frederick Douglass to their less conspicuous peers at L’Union (a bilingual, Black Creole weekly in New Orleans). These examples reveal the practical language of editorship expressed through serial formats. By reading editing on its own terms, in the patterns of established formats and formal innovations, it becomes possible to envision the broader study of editorship not only for nineteenth-century Black, Latinx, Indigenous, and multilingual print cultures but also in the wider firmaments of literary and cultural history.

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Charting Rocks in the Golden Stream: Or, Why Textual Ornaments Matter to Victorian Periodicals Studies

Cited by 9 publications

References 12 publications

The Entanglement of Periodicals and Travel in the Second Half of the Nineteenth Century

The Entanglement of Periodicals and Travel in the Second Half of the Nineteenth Century

Travel in Juvenile Periodicals: BOP and GOP

With, Without, Even Still: Frederick Douglass,L’Union, and Editorship Studies

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