The essay discusses Jackie Kay’s writing in the context of her complex Scottish-Nigerian
identity. Despite the marginalisation in terms of race, ethnic origin, sexuality which
she describes in her texts, she has not only become a mainstream author but was also
appointed as the Makar, the National Poet for Scotland in 2016. Thus the essay seeks
to situate Kay in contemporary Scottish culture, which has moved to a high appreciation
of voices coming from the margins. It focuses on the role that Kay has played in reinventing
Scotland, a nation rapidly losing its recent homogeneity, where the peripheral
has moved towards the centre. Furthermore, it examines the representations of ethnicity
in Kay’s works and to explore the powerful theme of identity and difference in Scottish
society refl ected in her work, demonstrating how the cultural identity represented in her
writing involves being both inside and outside Scotland.