Chapter 3. Event Depiction in Rock Art: Landscape-Embedded Plan-View Narratives, Decontextualized Profile “Scenes,” and Their Hybrid Instances

Dobrez, Patricia

doi:10.1515/9781789209211-006

Cited by 1 publication

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“…Comparable to the discussion among narratologists mentioned above, researchers on rock art have sometimes required the representation of several motifs or figures for something to be considered a visual narrative, although other scholars have also argued that only single motifs, e.g. single hunting scenes or just a figure with angled limbs signifying movement, would be sufficient (Dobrez 2021b;Kelly and David 2021;Lenssen-Erz et al 2021). Generally, postural deviations from a resting positions, such as figures with raised arms or outspread legs, are effective indicators of movement (Friedman and Stevenson 1980;Dobrez, 2021a).…”

Section: Pictorial Narrativity Human Agency and Scenesmentioning

confidence: 99%

A Narrative Turn: Human Agency in Rock Carvings at Nämforsen, Northern Sweden

Skoglund,

Ranta,

Persson

et al. 2023

Oxford J Archaeology

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SummaryThe idea to create pictorial narratives seems to have occurred long after humans learned to produce iconic images, that is, depictions based on visual similarity to external objects. In Scandinavia, e.g. in Gärde, Sweden or Stykket and Bøla, Norway, early Mesolithic images (e.g. rock carvings from before c.5000 BCE) often feature animals that are solitary or without suggestion of causal or narrative relations to other figures, although they sometimes are grouped by proximity or are superimposed on each other. Notable is also the almost complete absence of human figures. However, in subsequent Neolithic configurations (after c.5000 BCE), there are renderings of human agents involved in various forms of interaction with each other or with animals, often within distinguishable ‘scenes’ or compositions.In this paper we outline the emergence of pictorial narratives in Scandinavian rock carvings. In particular, we focus on some of the first depictions of human agency as displayed in Nämforsen, Sweden (c.5000–1800 BCE). Further, we present an analysis of occurring human‐animal relationships, interpretable as early attempts to create narrativizing images.

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Section: Pictorial Narrativity Human Agency and Scenesmentioning

confidence: 99%