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2019
DOI: 10.1075/pbns.301.15fog
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Chapter 15. Gestural silence

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Cited by 4 publications
(2 citation statements)
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“…The present article seeks to not only reiterate what previous research has demonstrated, namely, that RGS (Freedman, 1999) has the theoretical foundation to develop a concept of embodied genres (see Artemeva & Fox, 2011;Bawarshi 2015;Fogarty-Bourget et al, 2019), but also demonstrate the necessity of attending to embodied genres to understand how the design process is executed and taught. To do this, we answer previous calls to embrace, in the words of Devitt (1993), "new notions of genre as dynamic patterning of human experience" (p. 573).…”
Section: Introductionmentioning
confidence: 73%
“…The present article seeks to not only reiterate what previous research has demonstrated, namely, that RGS (Freedman, 1999) has the theoretical foundation to develop a concept of embodied genres (see Artemeva & Fox, 2011;Bawarshi 2015;Fogarty-Bourget et al, 2019), but also demonstrate the necessity of attending to embodied genres to understand how the design process is executed and taught. To do this, we answer previous calls to embrace, in the words of Devitt (1993), "new notions of genre as dynamic patterning of human experience" (p. 573).…”
Section: Introductionmentioning
confidence: 73%
“…Essentially, the underlying principle in these new studies is the fact that all communication is inherently multimodal (Kress 2010). Against this background, lectures have been widely analyzed from a multimodal perspective in English for Specific Purposes (Crawford Camiciottoli and Bonsignori 2015), English as a Means of Instruction (Costa andMair 2022), andL1 contexts (Bernad-Mechó 2022;Bernad-Mechó and Fortanet-Gómez 2019;Fogarty-Bourget et al 2019). Few studies, however, have explored lectures using a Multimodal (Inter)action Analysis framework.…”
Section: Multimodal (Inter)action Analysismentioning
confidence: 99%