“…But it has been taken up beyond these areas, including in dance and performance studiesa field already profoundly concerned with rhythm - (Morris, 2017), education (Alhadeff-Jones, 2017Vostal, 2016), fiction (Christiansen & Gebauer, 2019), poetry (Glaser & Culler, 2019), theology (Eikelboom, 2018), work andorganisation (Cahit Agar &Manolchev, 2020;Snyder, 2016), consumption (Southerton, 2020) and algorithmic technologies (Coletta & Kitchin, 2017). Whilst the concept of rhythmanalysis was developed with reference to cities in the global North in the twentieth century, it also resonates beyond these contexts in time and space to grasp the dynamism and diversity of 'small' (Ocejo, Kosta, & Mann, 2020) and 'ordinary' (Robinson, 2006) cities, and further research in these contexts might lead to the reformulation of rhythmanalysis (see Cook, 2015;Kern, 2015;Meij, Haartsen, & Meijering, 2021;Stasik, 2017). The insights into AbdouMaliq Simone's (2018) work on practices of living with the urban in the global south have already brought into view the 'rhythms of endurance' and resourcefulness that exist in African and Asian cities.…”