2010
DOI: 10.1111/j.1477-4658.2009.00596.x
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Carità e potere:representing the Medici grand dukes as ‘fathers of the Innocenti’

Abstract: In 1605, Roberto Antinori, prior of the Innocenti foundling hospital in Florence, commissioned marble busts of the first three Medici grand dukes for the hospital loggia. Several years later, he hired Bernardino Poccetti to fresco in the girls' refectory an ‘Istoria degl'Innocenti’, which included an idealized representation of the activities of the hospital under the watchful eyes of Cosimo II. The present study argues that these decorative projects worked together to shape an image of the grand dukes as ‘fat… Show more

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“…157 v : “et considerato quanta laudabile opera sia acceptare intalluogo tante mis[er]e creature abandonate nel principio della loro nativita dalorparenti lequali sanza baptesimo spesse volte et pe fiumi et per cloache et fosse sarebbono trovate morte, se non fussi suto talluogho constuito per riceptaculo ditali mis[er]i.” Visual representations associated with the Innocenti conflated hospital foundlings with the biblical Holy Innocents, a rhetoric of foundling care related to, but fundamentally distinct from, that developed in the Corsia Sistina fresco cycle. See Presciutti, 2008, 179–223; Presciutti, 2010, 249–51.…”
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“…157 v : “et considerato quanta laudabile opera sia acceptare intalluogo tante mis[er]e creature abandonate nel principio della loro nativita dalorparenti lequali sanza baptesimo spesse volte et pe fiumi et per cloache et fosse sarebbono trovate morte, se non fussi suto talluogho constuito per riceptaculo ditali mis[er]i.” Visual representations associated with the Innocenti conflated hospital foundlings with the biblical Holy Innocents, a rhetoric of foundling care related to, but fundamentally distinct from, that developed in the Corsia Sistina fresco cycle. See Presciutti, 2008, 179–223; Presciutti, 2010, 249–51.…”
unclassified