Captive and Captor Representations at Canadian Penal History Museums

Abstract

This article examines representations of prisoners and prison staff from 45 penal tourism sites across Canada. Drawing from literature on representations of criminal justice, we demonstrate that the objects, signs, and symbolism in these heritage sites are curated in ways that can create separation between penal spectators and prisoners. Positive representations of prison staff stand in contrast to depictions of prisoners who are often demonized in museum displays through emphasis placed on narratives, relics, and images of danger and violence. Arguing that these depictions generate conditions for the support and justification of punitive practices including incarceration, we conclude by reflecting on what our findings add to social science literature on representations of captives and captors.

Regimes of representation in Canadian police museums: Othering, police subjectivities, and gunscapes

“…Welch, 2013;Wilson, 2008a) that examines how penal practices are constructed and portrayed through various exhibits. We build on the insights of penal tourism inquiries that have documented how criminalization and punishment is legitimated through the construction of binaries between heroic "criminal justice" actors and demonic criminalized others (Chen et al, 2016;Walby et al, 2018Walby et al, , 2021Welch, 2012), with distinctions between their respective weaponry as one such marker of difference.…”