2016
DOI: 10.1163/15700747-03803004
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Can We Still Sing the Lyrics “Come Holy Spirit”?

Abstract: Australian Pentecostals, both Indigenous and non-Indigenous, are speaking new tongues in their worship practices, forming new poetic languages of singing and conversation relevant for spatially dislocated twenty-first-century life. Using Nimi Wariboko’s three-city model offered in Charismatic City and the Public Resurgence of Religion, this article assesses Australian pentecostal worship practice in light of his “Charismatic City.” The article suggests that this emergent, poetic language of Spirit empowerment … Show more

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Cited by 3 publications
(3 citation statements)
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“…[was] to sing their song well enough that the society at large [was] brought to their truth claim" (Wariboko 2014, p. 99). However, Wariboko notes the subsequent emergence of a "Secular City" in which God was proclaimed dead (Cox 2013;6 Wariboko presents three distinct philosophies of pneumatologically-oriented social engagement that exist simultaneously but also offer progression (See Riches (2016) for a more theological application of this theory). Wariboko 2014).…”
Section: Nimi Wariboko's Proposalmentioning
confidence: 99%
See 2 more Smart Citations
“…[was] to sing their song well enough that the society at large [was] brought to their truth claim" (Wariboko 2014, p. 99). However, Wariboko notes the subsequent emergence of a "Secular City" in which God was proclaimed dead (Cox 2013;6 Wariboko presents three distinct philosophies of pneumatologically-oriented social engagement that exist simultaneously but also offer progression (See Riches (2016) for a more theological application of this theory). Wariboko 2014).…”
Section: Nimi Wariboko's Proposalmentioning
confidence: 99%
“…However, within the church itself, talk of God has expanded from reproducing its distinct practices towards developing language appropriate for the commons, or urban polis. Notions of Spirit absence have been replaced with immanence-God is everywhere, both in and outside of the church (See Riches (2016) for lyrical examples of this transition).…”
Section: Hillsong As Metropolismentioning
confidence: 99%
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