“…A spectacle, on the other hand, has a distinct division between active performers and passive spectators, and is often seen as an event of non-reflexive embeddedness that ensures stability of the social order (Handelman, 1982). For example, religious events are often designed as spectacles that provide a physical experience for the audience, eliciting ‘emotional effervescence’ (Durkheim, 1965/1915) that sustains emotional ties to religious teachings (Roeland et al, 2012). Thus, similar to informal interactions between diverse actors in interstitial spaces (Furnari, 2014), the diversity and unstructured interaction at festivals has been linked to change, while the formal performance of a spectacle has been connected to institutional stability.…”