1992
DOI: 10.2307/632168
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(C. P.) Caswell A study of thumos in early Greek epic. (Mnemosyne, supplement 114.) Leiden: Brill, 1990. Pp. ix + 85. Fl. 48.

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“…88 As Willcock highlights, photography 'was historically entwined with an imperialistic drive to gain visual knowledge that could facilitate the control of distant people, objects, and space'. 89 As such, it is clear that the camera was 'no innocent instrument', 90 and by extension, the photographer no innocent agent. By taking these pictures, Gregson's actions were complicit in, as well as witness to, British imperial aggression.…”
Section: 'Khartum 1898'mentioning
confidence: 99%
“…88 As Willcock highlights, photography 'was historically entwined with an imperialistic drive to gain visual knowledge that could facilitate the control of distant people, objects, and space'. 89 As such, it is clear that the camera was 'no innocent instrument', 90 and by extension, the photographer no innocent agent. By taking these pictures, Gregson's actions were complicit in, as well as witness to, British imperial aggression.…”
Section: 'Khartum 1898'mentioning
confidence: 99%