2016
DOI: 10.1007/978-3-319-41402-7_16
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Bridging Aesthetics and Positivism in IS Visual Systems Design with Neuroscience: A Pluralistic Research Framework and Typology

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Cited by 1 publication
(3 citation statements)
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“…For this reason, research is currently expanding to understand how aesthetics influences cognition. Peak et al (2017) described neuro-aesthetics as an evolving area that interlinks comprehension, perception and decision making that is based on visual aesthetics influence on cognitive neuroscience. On the other hand, Soleymani et al (2015) added that new models should be developed to interrelate human-computer interaction, psychology and other fields in the hopes that cross-disciplinary research would further explore the emotional and cognitive effects of multimedia aesthetics.…”
Section: Discussionmentioning
confidence: 99%
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“…For this reason, research is currently expanding to understand how aesthetics influences cognition. Peak et al (2017) described neuro-aesthetics as an evolving area that interlinks comprehension, perception and decision making that is based on visual aesthetics influence on cognitive neuroscience. On the other hand, Soleymani et al (2015) added that new models should be developed to interrelate human-computer interaction, psychology and other fields in the hopes that cross-disciplinary research would further explore the emotional and cognitive effects of multimedia aesthetics.…”
Section: Discussionmentioning
confidence: 99%
“…Therefore, unlocking a different area in human-computer interaction that incorporates multidisciplinary approaches such as psychology, digital humanities and also product design. In recent research, Peak, Prybutok, Mai, and Parsons (2017) claims that two aspects should be considered when visually designing an information system; cognitive or behavioural aspect that relates to usability and functionality and secondly the pleasure (hedonism) aspect that relates to user's experience associated to aesthetics (visceral) and emotions. This concept does not vary much from Norman's theory of emotional design that reflects upon three levels of user interaction; visceral, behavioural and reflective and concurrently cognitive (behavioural) and affective (visceral) aspects of interaction.…”
Section: Aestheticsmentioning
confidence: 99%
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