The Nordic Wave in Place Branding 2019
DOI: 10.4337/9781788974325.00024
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Branding on the Nordic margins: Greenland brand configurations

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Cited by 9 publications
(6 citation statements)
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“…We want to do away with that, because we have struggled to get to where we are today” (Ellegaard and Grønbech, 2019, our translation). This statement is in line with Berthelsen’s previous efforts on the Danish music scene (Thisted, 2012, 2015), as well as the branding strategy of Visit Greenland, where the explicit intent has been to showcase Greenland as a modern nation and an equal player in international politics and on the global market (Ren et al 2019; Thisted, 2015).…”
Section: Setting the Arctic Stagesupporting
confidence: 82%
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“…We want to do away with that, because we have struggled to get to where we are today” (Ellegaard and Grønbech, 2019, our translation). This statement is in line with Berthelsen’s previous efforts on the Danish music scene (Thisted, 2012, 2015), as well as the branding strategy of Visit Greenland, where the explicit intent has been to showcase Greenland as a modern nation and an equal player in international politics and on the global market (Ren et al 2019; Thisted, 2015).…”
Section: Setting the Arctic Stagesupporting
confidence: 82%
“…Our analysis showed how both the shows and lyrics drew on a broad range of cultural markers, artefacts and cultural references related to the Arctic space, to light and darkness and to Indigenous culture. However, where the Sámi entry compared and connected the history of Sámi suppression to that of a global LGBT struggle, the Greenlandic entry referred to a Greenlandic land or country in the making, thus more explicitly linking to and drawing on traditional nation branding and ongoing identity politics (Ren et al , 2019). While KEiiNO used three different flags to signal cross-identity solidarity and alliances, the national flag of Greenland was massively present among the spectators at the Danish ESC qualifying round.…”
Section: Discussionmentioning
confidence: 99%
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“…Fremtidens turisme i Grønland: mere end økonomi Som vi ser i ovenstående, har turismen i Grønland taget skridtet fra "biindkomst" for småivaerksaettere i de tidlige 70' ere til centralt erhverv i politiske diskussioner om, hvorledes den grønlandske økonomi kan og skal vokse og diversificeres. Idet økonomisk vaekst og selvbaerenhed kobles til tanken om selvstaendighed, er turisme ikke kun, som det for eksempel ses i mange udviklingsøkonomier, et økonomisk vaerktøj, men også et geo-og identitetspolitisk redskab til såvel udad-som indadtil at brande et selvstaendigt Grønland in the making (Ren et al, 2019). Samtidig har den geopolitiske udvikling, der…”
Section: Krydstogt I Grønlandunclassified
“…Furthermore, contrasted to a largely apolitical place branding scholarship, Nordic scholars have also touched upon sensitive issues and topical societal challenges in their empirical projects. This may include climate change and the vulnerability of snow-dependent place brands (Hall, 2014), silenced indigeneous voices and the cultural appropriation of Sámi heritage in high-latitude destination promotion (Cassel, 2019;Ren et al, 2019)) or the intersection between place branding and feminist foreign policy (Cassinger, 2019). Taken together, these unique perspectives have contributed to the opening of a new and distinct approach, The Nordic Wave within place branding scholarship (Cassinger et al, 2019).…”
Section: Current State Of the Art Of Place Branding Research With Dismentioning
confidence: 99%