2014
DOI: 10.4324/9780020306634
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Brand-Driven City Building and the Virtualizing of Space

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Cited by 4 publications
(3 citation statements)
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“…In practice, implementation strategies that were favored by administrations to realize visions such as LeCorbusier's Radiant City in Paris 1922 (Fishman, 1991) or the German town Anting in China by Albert Speer & Partner from 2000 to 2004 (Gutzmer, 2014) have the very adverse effects associated with top-down approaches of social advancement through design, principles of rational imposed order, or one-size-fits-all urban cultures. In contrast, urban planning can be augmented by bottom-up processes in which citizens are assigned a much more active role to ensure coverage of diverse needs and activities.…”
Section: Expanding On Sustainability Substance By Participationmentioning
confidence: 98%
“…In practice, implementation strategies that were favored by administrations to realize visions such as LeCorbusier's Radiant City in Paris 1922 (Fishman, 1991) or the German town Anting in China by Albert Speer & Partner from 2000 to 2004 (Gutzmer, 2014) have the very adverse effects associated with top-down approaches of social advancement through design, principles of rational imposed order, or one-size-fits-all urban cultures. In contrast, urban planning can be augmented by bottom-up processes in which citizens are assigned a much more active role to ensure coverage of diverse needs and activities.…”
Section: Expanding On Sustainability Substance By Participationmentioning
confidence: 98%
“…Koolhaas’s design proposal for the new corporate headquarters of media conglomerate Universal in Los Angeles in the late 1990s offers a perspective on architecture as an engagement with the complexities of capitalism itself (Gutzmer, 2013). The project was engaged with one particular part of capitalist reality: that of branding.…”
Section: Koolhaas: Critical Architecture and Architectural Criticismmentioning
confidence: 99%
“…Что происходит с пространством, оказывающимся в распоряжении корпораций, и что такое глобальный массовый орнамент? Мы имеем дело не просто с суммой известных практик -архитектурных/ семиотических, -но с новым явлением, в рамках которого используются социальные медиа и даже сами по себе социальные процессы (Gutzmer, 2013).…”
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