Black Masculinity on Film

O’Brien, Daniel

doi:10.1057/978-1-137-59323-8

Cited by 7 publications

(1 citation statement)

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“…Hollywood as one of the largest film industries in the world presents various biases against certain groups through the films it produces (Cones, 2012). The depiction of the black race (O'Brien, 2017;Copeland, 2016), the white race (Murphy & Harris, 2018;Banjo & Jennings, 2017) contains bias because there are interests behind the film. Banjo & Jennings (2017) mentioned that the white race is often perceived as the antagonist in movies whose stories pivot on the black race; and vice versa.…”

Section: Introductionmentioning

confidence: 99%

Public Relations Officer on Screen: An Analysis of Professional Practices of Public Relations Officers in the Industry

Fista

Nugraheni

2022

j.komun.

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This study attempts to dissect the tendency to depict public relations institutions in the films produced by Warner Bros and Columbia Pictures. These two production houses are listed as the companies that most often release new films in America. Characters who have profiles as public relations institutions appear in films produced by different production houses. The research will be conducted by taking film samples in the 2010-2019 period. The selection of this year's range is based on previous studies that also used content analysis to look for trends in the depiction of the public relations profession in films in the period 1990-2000 and 2000-2009. This study uses a quantitative approach with descriptive type and uses the method of content analysis. The results show that there are differences in content on the characteristics of the PR profession, the type of campaign in The Social Network and Our Brand is Crisis films. Then on the indicators of the aspect of persuasion, there are similarities from the aspect of persuasion used in the practice of the PR profession.

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Section: Introductionmentioning

confidence: 99%

Public Relations Officer on Screen: An Analysis of Professional Practices of Public Relations Officers in the Industry

Fista

Nugraheni

2022

j.komun.

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Talk to Me: A Post-Soul Allegory

Tazewell

2023

The Post-Soul Cinema of Kasi Lemmons

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Einleitung: Genre und Race: Ein zu berücksichtigendes Verhältnis

Gradinari

Ritzer

2021

Genre Und Race

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Komplexe rassistische Diskurse der Gegenwart sind noch kaum zu verstehen, wenn die ubiquitäre Medialisierung des Sozialen nicht berücksichtigt wird. Stützen sich aktuelle Rassismen vor allem auf visuelle Epistemologie, so bieten Genres, die an der Schnittstelle von Produktion, Ästhetik und Rezeption vor allem die Wahrnehmung regulieren, einen möglichen Zugang zur Funktionsweise (anti-)rassistischer Diskurse. Genres sind alles andere als trivial, stellen sich als komplexe Abstraktions-, Verdichtungs-und Verhandlungsmedien dar, die technische, kulturelle und kapitalistische Prozesse mit einer ästhetischen Logik von Wiederholung und Differenz binden und sich zugleich in kollektive Wahrnehmung, Denkweise und Selbstbilder einschreiben. Sie können somit zum besseren Verständnis des Rassismus beitragen oder diesen transkodieren. Grundsätzlich erscheint das Verhältnis zwischen Genre und Race sozialhistorisch zu sein, politisieren die Race-Kategorien doch Medien und zwingen sie zugleich zur generischen Selbstreflexion und -revision. I. Gradinari (B)

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Black Masculinity on Film

Cited by 7 publications

References 0 publications

Public Relations Officer on Screen: An Analysis of Professional Practices of Public Relations Officers in the Industry

Public Relations Officer on Screen: An Analysis of Professional Practices of Public Relations Officers in the Industry

Talk to Me: A Post-Soul Allegory

Einleitung: Genre und Race: Ein zu berücksichtigendes Verhältnis

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