2017
DOI: 10.1142/9789813226265_0044
|View full text |Cite
|
Sign up to set email alerts
|

“Black Box” Theatre: Second-Order Cybernetics and Naturalism in Rehearsal and Performance

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
4
0

Year Published

2017
2017
2023
2023

Publication Types

Select...
4
2

Relationship

1
5

Authors

Journals

citations
Cited by 6 publications
(4 citation statements)
references
References 0 publications
0
4
0
Order By: Relevance
“…SOC has been shown to be a useful approach in several disciplines, including psychotherapy (Bateson, 2000; Keeney, 1980), education (Baron and Herr, 2018; Herr, 2014), design research (Sweeting, 2016) and more recently, in the arts where theatre has been used as a laboratory for experimenting with SOC (Scholte, 2016). Recently, there have been several publications that are geared towards cybernetics methodology as an approach, aptly termed second-order science (Müller, 2008, 2011; Riegler and Müller, 2016).…”
Section: Discussionmentioning
confidence: 99%
“…SOC has been shown to be a useful approach in several disciplines, including psychotherapy (Bateson, 2000; Keeney, 1980), education (Baron and Herr, 2018; Herr, 2014), design research (Sweeting, 2016) and more recently, in the arts where theatre has been used as a laboratory for experimenting with SOC (Scholte, 2016). Recently, there have been several publications that are geared towards cybernetics methodology as an approach, aptly termed second-order science (Müller, 2008, 2011; Riegler and Müller, 2016).…”
Section: Discussionmentioning
confidence: 99%
“…I use "first/second" as a general and conceptual pattern for comparing formulations, which can be understood as instances or interpretations of the general pattern. In these terms, following the general pattern first/second, Foerster's first-order observed system and second-2 See also Tom Scholte's (2016) analysis of reentry among performers of naturalistic theatre.…”
Section: First/second Complementaritymentioning
confidence: 99%
“…His early essays drew from Konstantin Stanislavski’s work, and understood relationships between external and internal planes of the actor, rooting them in social actions (Sobkin, 2016). Tom Scholte (2016), a contemporary actor and cybernetician who employs Pask’s theories, suggests Stanislavski’s naturalist system is inherently cybernetic, allowing performers to embrace their experiences in the present moment and adhere to a script. Scholte calls for reincorporation of spontaneous affect and experience leading to the emergence of “genuine” behaviors under imaginary circumstances, further amplified by peer feedback during rehearsals; actors become observers constantly reconstructing semiotic sequences of performance.…”
Section: Integrating Pask and Vygotskymentioning
confidence: 99%