2007
DOI: 10.1144/sp279.15
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Biotic versus abiotic calcite formation on prehistoric cave paintings: the Arcy-sur-Cure ‘Grande Grotte’ (Yonne, France) case

Abstract: The ‘Grande Grotte’ cave at Arcy-sur-Cure (Yonne, France) with its prehistoric paintings shows important calcite concretions. Two types of calcite have been observed on the wall: translucent yellowish layers and opaque white or grey layers that completely obstruct the paintings. Other calcite types are present in the lakes of the cave (floating calcite rafts at the surface of the lake and soft calcite at the bottom of the lake).The morphology of the different calcites was observed at different scales by optica… Show more

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Cited by 11 publications
(16 citation statements)
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“…In cave sites, speleothems such as stalagmites and stalactites are important geochronological archives used to trace the archaeological record (Fairchild et al, 2006;Genty et al, 2004;White, 2003). In some rare cases, such speleothems even serve as support for Paleolithic cave art (Chalmin et al, 2007). Flints and obsidians have been frequently encountered either as tools or as raw material for the manufacture of tools.…”
Section: Relevant Archaeological and Historical Minerals Biomineralsmentioning
confidence: 99%
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“…In cave sites, speleothems such as stalagmites and stalactites are important geochronological archives used to trace the archaeological record (Fairchild et al, 2006;Genty et al, 2004;White, 2003). In some rare cases, such speleothems even serve as support for Paleolithic cave art (Chalmin et al, 2007). Flints and obsidians have been frequently encountered either as tools or as raw material for the manufacture of tools.…”
Section: Relevant Archaeological and Historical Minerals Biomineralsmentioning
confidence: 99%
“…Calcium carbonate samples from the wall, from lake sediment, and from film (floating at the surface of the lake like a raft) in the Large cave of Arcy-sur-Cure were studied using a multidisciplinary approach, including microscopic, spectroscopic, microbiological, and molecular biology methods, in order to assess the origin and the possible biogeochemical formation mechanisms of the various calcium carbonates present at the surface of Paleolithic rock art (Chalmin et al, 2007;Reiche et al, 2006a).…”
Section: Study Of Paint and Pigment Discolorationmentioning
confidence: 99%
“…Two sampling campaigns were carried out to collect calcite near the paintings on the wall (Chalmin et al, 2007). The calcite samples consisted of powders from the yellowish translucent layer, the white and gray opaque layers, and floating calcite from the surface of the lake and the pools.…”
Section: Methodsmentioning
confidence: 99%
“…Particularly, DNA- and RNA-based molecular surveys are increasingly used to identify the bacterial communities and evaluate the risk of rock art alteration (Zimmermann et al, 2005; Portillo & Gonzalez, 2009; Rusznyak et al, 2012). The precise evaluation of biological impacts on rock art is therefore a highly urgent issue for the Lascaux and Altamira caves (Schabereiter-Gurtner et al, 2002) as well as for the Large cave of Arcy-sur-Cure (Chalmin et al, 2007; Reiche & Chalmin, 2009), where prehistoric figures are completely masked by a white opaque calcite layer, which must be removed to render the prehistoric figures visible. This opaque carbonate layer was assumed to be due to bacterial biomineralization.…”
Section: Introductionmentioning
confidence: 99%
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