Biosignal Augmented Embodied Performance

Lindell, Rikard; Kumlin, Tomas

doi:10.1145/3123514.3123547

Cited by 4 publications

(1 citation statement)

References 12 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…In the context of this paper, we focus primarily on instruction-based programming and similar approaches, such as the flow-based systems typical to musical systems (e.g. [46]), are beyond the scope of this paper, and thus left for future work.…”

Section: Related Workmentioning

confidence: 99%

Storycoding - Programming Physical Artefacts for Research Through Design

Mikkonen

Fyhn

2020

Proceedings of the 2020 ACM Designing Interactive Systems Conference

View full text Add to dashboard Cite

Making programmable physical artefacts and prototypes has inherent value for Research-through-Design (RtD) based HCI. Furthermore, the abstractions and representations within RtD and programming are vastly different, such as between observations, storyboards and the code. Studies have shown that the program of an artefact influences the RtD outcome, but there is also a disconnect between the observations of use and the abstractions involved in the programming. How can we program an artefact so that the code can be created, modified and reflected upon based on directly observable and non-technical abstractions? In this paper we present Storycoding, a computational-thinking based method for programming that focuses on bridging the representational abstractions. Using Storycoded artefacts, we examine programming in light of RtD. We discuss how Storycoding enables programming that is directly observable between the use and the abstractions, being respectful towards RtD. Finally, we conclude with implications towards HCI research and practice.

show abstract

Section: Related Workmentioning

confidence: 99%

Storycoding - Programming Physical Artefacts for Research Through Design

Mikkonen

Fyhn

2020

Proceedings of the 2020 ACM Designing Interactive Systems Conference

View full text Add to dashboard Cite

show abstract

A Making Mode is Missing Code: Research Through Design Lacks Discourse Around Programming

Mikkonen

Mitchell

2022

[ ] With Design: Reinventing Design Modes

View full text Add to dashboard Cite

General rightsCopyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Users may download and print one copy of any publication from the public portal for the purpose of private study or research.  You may not further distribute the material or use it for any profit-making activity or commercial gain  You may freely distribute the URL identifying the publication in the public portal If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim.

show abstract

Beginnings and endings—dance phrase edges in an interactive dance study

Bergsland

2024

Pers Ubiquit Comput

View full text Add to dashboard Cite

This article describes a study exploring the expressive and creative potential of dance phrase onsets and endings in interactive dance, using an artistic research approach. After describing the context and background of interactive dance and relevant perceptual issues, the technical setup is presented, both in terms of the performance area, sensors and other hardware, and software. The main part of the article is concerned with the specific movement-sound mappings and their relation to the dancer’s movement choices in four different sections in the performance that the project resulted in, entitled Beginnings and Endings - Study I. Subsequently, the process and performance are evaluated, specifically focusing on the performer’s perspective. The most interesting points from the evaluation are then discussed with reference to the presented mappings, related movement choices, and relevant research literature. Findings include that the dancer experienced an increased awareness of beginnings and endings in different sections of the performance, that the affordances of different mappings were explored in different ways and to different degrees, and that some of this could be ascribed to a dynamic between liberation and restriction.

show abstract

Biosignal Augmented Embodied Performance

Cited by 4 publications

References 12 publications

Storycoding - Programming Physical Artefacts for Research Through Design

Storycoding - Programming Physical Artefacts for Research Through Design

A Making Mode is Missing Code: Research Through Design Lacks Discourse Around Programming

Beginnings and endings—dance phrase edges in an interactive dance study

Contact Info

Product

Resources

About