Binaurality, Stereophony, and Popular Music in the 1960s and 1970s

Fabbri, F.

doi:10.1007/978-3-658-17740-9_11

Cited by 1 publication

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“…The use of glitching in art is not new, and glitching is already recognized as a form of expression in art. There have been attempts to use glitch sounds for quite some time: Luigi Russolo built a mechanical noise generator in the early 1900s (Luciano, 2012); Michael Pinder created glitch sounds through the intentional misuse of the Mellotron (Fabbri, 2017); and the Mellotron (Mellotron) was developed in the 1960s as an analog playback device. Christian Marclay is creating sound collages using damaged vinyl records (Christian, 2023).…”

Section: Related Workmentioning

confidence: 99%

The Kyoto Conference on Arts, Media & Culture 2023: Official Conference Proceedings

2023

KAMC Official Conference Proceedings

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All-Out Sundays, more known as AOS, is a weekly musical variety show in GMA Network. While it shares most of the elements present in rival ABS-CBN's All-Star Afternoon Party (ASAP), humor is one of the show's distinct features through the AOS Lounge segment. The AOS Lounge segment is known for situational and observational comedy through hugot statements and gossips. While hugot is often associated with melodrama, it is presented humorously by using the melodies of Filipino children's folksongs, such as "Ako Ay May Lobo" (I Have A Balloon) and "Leron, Leron Sinta" (Leron, Leron, My Dear). To expound this discourse, I intend to apply Apte's (1985) approach on institutionalized humor. As this segment deals with satires of children's folksongs, I also explore through Titon's definition how the segment creators produce affect through the use of children's folksongs in an adult context.

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Section: Related Workmentioning

confidence: 99%

The Kyoto Conference on Arts, Media & Culture 2023: Official Conference Proceedings

2023

KAMC Official Conference Proceedings

View full text Add to dashboard Cite

show abstract

Binaurality, Stereophony, and Popular Music in the 1960s and 1970s

Cited by 1 publication

References 4 publications

The Kyoto Conference on Arts, Media & Culture 2023: Official Conference Proceedings

The Kyoto Conference on Arts, Media & Culture 2023: Official Conference Proceedings

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