2010
DOI: 10.1016/j.jas.2009.08.010
|View full text |Cite
|
Sign up to set email alerts
|

Bighorn hunting, resource depression, and rock art in the Coso Range, eastern California: a computer simulation model

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
13
0

Year Published

2011
2011
2017
2017

Publication Types

Select...
3
2

Relationship

1
4

Authors

Journals

citations
Cited by 10 publications
(13 citation statements)
references
References 27 publications
0
13
0
Order By: Relevance
“…3. The Gilreath and Hildebrandt (2008) Coso rock-art study and our recent Coso bighorn sheep resource depression computer simulation and archaeofaunal review (Garfinkel et al 2010) provide ample evidence supporting a connection between the rate and character of Coso rock-art production and the rise and fall of human predation on bighorn.…”
Section: Symbolismmentioning
confidence: 83%
See 3 more Smart Citations
“…3. The Gilreath and Hildebrandt (2008) Coso rock-art study and our recent Coso bighorn sheep resource depression computer simulation and archaeofaunal review (Garfinkel et al 2010) provide ample evidence supporting a connection between the rate and character of Coso rock-art production and the rise and fall of human predation on bighorn.…”
Section: Symbolismmentioning
confidence: 83%
“…Bighorn were intimately tied into the local culture as elements of prestige and were central to large-scale religious ceremonies. This prestige, religion and hunting interplay led to excesses that ended with extreme bighorn population reductions -perhaps even local extirpation of their herds (Garfinkel et al 2010;Gilreath & Hildebrandt 2008). Hence, the Coso Range rock-art fluorescence was aimed at propagating bighorn.…”
Section: Hunting Religion Increase Rites and Overkillmentioning
confidence: 99%
See 2 more Smart Citations
“…Attention to rock art in Madagascar is increasing (Middleton 2013(Middleton , 2010Radimilahy 2010), and emerging research on the rock art of southwestern Madagascar (Rasolondrainy 2011) should contribute important insights into forager engagement with broad landscapes, as similar research has done in other parts of the world (Balme et al 2009;Garfinkel et al 2010;Williams et al 2010).…”
Section: Ephemeral Forager Sitesmentioning
confidence: 99%