Bigger than the Sound

Abstract

This essay examines the political economy of Caribbean cultural capital and the formation of reggae in Jamaica in the 1950s. Through study of the Afro-Asian intimacies and tensions embedded in the sound of preindependence Jamaica, the essay traces the birth of the “sound-system” to the networks of local small-retail grocery shops, ubiquitous across Jamaica, that were owned and operated by Jamaican Chinese shopkeepers and examines how they formed material infrastructures. In charting the hardwiring of speakers and how the sociality of the shop housed the production of a new sound, the essay argues that sonic innovation was derived from Afro-Jamaican servicepeople who returned from World War II with military technological expertise, which they applied to sound engineering, and from entrepreneurial guilds of Jamaican merchants and shopkeepers of Chinese, Afro-Chinese, and Indo-Chinese descent, who helped form the conditions of possibility for the production and global distribution of reggae. Thus the networks of Jamaican Chinese diasporic capital and talent, producing and performing, helped to engineer the electrical flows of reggae to rural areas and urban dancehall parties.

Capture land as abolition geography: The mutuality of placemaking and flight

“…I take up ownershipless to describe a multivalent relationship, learning from Wynter's multivalent plot (1971)-a spatial figure that is tethered to the market, 2 and yet has the capacity to both sustain life-in-refusal and to ground an epistemology rooted in alternative relations with the earth. The ownershipless may leverage gaps in the law or its uneven enforcement to maintain tenure (Goffe, 2024), sometimes towards becoming owners of land under the liberal property regime. Regardless of whether turning seized land into property might be possible, the ownershipless make life in the places where they are, where they have always been.…”