2013
DOI: 10.1177/1468795x13495125
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Beyond class: The many facets of Gramsci’s theory of intellectuals

Abstract: Gramsci’s theory of intellectuals is widely cited but rarely closely studied. This article makes a case for a rereading of this theory. This is both desirable and necessary because, as the article shows, it is a more nuanced and yet also encompassing theory than recognized in current scholarship on the sociology of intellectuals, and it actually has much to contribute to a comprehensive modern sociology of intellectuals. This is chiefly by the way it took class into account while transcending it. Far from bein… Show more

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Cited by 8 publications
(4 citation statements)
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“…A Latin Gandhi would know that social and political movements thrive on song, spectacle, and rhetorical virtuosity [115]. Gramsci knew that the same taste was true for Italy, and he tried to enlist as many artists and educators, priests and journalists, as would join him to shake the country free of a stagnant culture and to create a vibrant consensus for freedom [116].…”
Section: Reformation Latin Stylementioning
confidence: 99%
“…A Latin Gandhi would know that social and political movements thrive on song, spectacle, and rhetorical virtuosity [115]. Gramsci knew that the same taste was true for Italy, and he tried to enlist as many artists and educators, priests and journalists, as would join him to shake the country free of a stagnant culture and to create a vibrant consensus for freedom [116].…”
Section: Reformation Latin Stylementioning
confidence: 99%
“…The proletariat must create a group of ‘independent intellectuals’ from ‘within’ (Gramsci, 1977: 1860–1861). Intellectuals’ social position is a dynamic combination between traditional and organic elements (Olsaretti, 2014: 3–4, 6–9). A class’s ‘own group of independent intellectuals’ cannot all be organic intellectuals.…”
Section: The Integral Momentum and The Totalitarian Tendency In The C...mentioning
confidence: 99%
“…A Latin Gandhi would know that social and political movements thrive on song, spectacle, and rhetorical virtuosity [115]. Gramsci knew that the same taste was true for Italy, and he tried to enlist as many artists and educators, priests and journalists, as would join him to shake the country free of a stagnant culture and to create a vibrant consensus for freedom [116].…”
Section: Reformation Latin Stylementioning
confidence: 99%