2024
DOI: 10.5209/aris.92068
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Beyond Boundaries: Painting Re-inscriptions in the Fifteenth to Seventeenth Century China

Wenxin Wang

Abstract: This paper explores the widespread practice of adding multiple inscriptions to a single artwork at different times in the fifteenth to seventeenth centuries China. Such practices became prominent when literati painters revisited artworks they had previously created or owned, or when paintings had accumulated a multitude of inscriptions over time. Within the realm of Chinese art discourse, this phenomenon is denoted as “re-inscriptions.” By examining re-inscriptions written on extant paintings and embodied in i… Show more

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