Between Poem and Ritual: The Burda by al-Būṣīrī (d. 1294-1297)

Weinrich, Ines

doi:10.5771/9783956503306-102

Cited by 3 publications

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“…The audience engages in singing along or clapping their hands during selected parts. Often, they perform alternately with the ensemble in the form of refrains or callresponse sequences (Abdel-Malek 1995;Frishkopf 2000;Weinrich 2016). During the soloist recitations, the audience participates through verbal and non-verbal responses such as exclamations, shouted comments or sighing.…”

Section: Mapping the Field: The Musical Domains Of N-sh-dmentioning

confidence: 99%

Jihadi Audiovisuality and its Entanglements

2020

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This volume situates jihadi audio-visual media within a global communicative web, and provides perspectives that relate the production and dissemination of jihadi images and sound to various forms of engagement and appropriation. Through 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts and how different actors relate to these media. Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audio-visual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages.

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Section: Mapping the Field: The Musical Domains Of N-sh-dmentioning

confidence: 99%

Jihadi Audiovisuality and its Entanglements

2020

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“…mawlid (63 Waka mawlid kitab, n.d., 129) and Mawlid kitāb(Mawlid kitab, n.d., 68), and occasionally in Burda performances Lebanon(Weinrich 2016, 110). 21SeeWeinrich (2016) on the earliest traditions related to the poem, 107-08; on the prayer, esp. 116-17.22The codification of Arabic metres goes back to Khalīl ibn Aḥmad (d. c. 970).…”

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From the Arab Lands to the Malabar Coast: The Arabic mawlid as a Literary Genre and a Traveling Text

Weinrich¹

2022

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This article explores the potential of literary-liturgical texts in tracing developments in intra-religious contacts. It deals with mawlid, which is both a literary genre and a devotional practice. By the thirteenth century, mawlid was established in various parts of the Muslim world as an annual feast and a public practice to commemorate the birthday of the prophet Muḥammad. One element of such festivities was the liturgical reading of a literary composition centring on the prophet’s birth and early life, in most cases simply termed mawlid. The article focusses on the intra-religious transcultural transfer of mawlid writing, namely from the Arab world to Muslim communities on the Malabar Coast, the western coast of South India. In analysing such a transfer, I identify texts and people that travelled between the Mediterranean and the Indian Ocean and examine the literary practices. The findings indicate that there is plausibility for dating the first Arabic mawlid compositions from Malabar to the early sixteenth century. I show how a mawlid text supposedly composed in thirteenth-century Andalusia and circulating as far as Yemen served as a genre model for the presumed first Arabic mawlid composition in Malabar. Furthermore, the social context of the Malabar composition draws on a transformation in the function of mawlid readings, which were, in the late fifteenth century, no longer limited to commemorating the birth anniversary. Finally, the mawlid’s aesthetic features and performance practices allowed a new experience of Arabic and reflect the rise of Muslim educational institutions and a growing Muslim population in the coastal towns of Malabar.

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Koçhisârîzâde Süleymân Tâlib’in Manzum Kasîde-i Bürde Tercümesi

Yazar,

Erbil

2024

Divan Edebiyatı Araştırmaları Dergisi

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Osmanlı kültür ve edebiyat geleneğinde etkisi oldukça derin ve yoğun olan metinlerden biri Bûsîrî’nin nazmettiği ve Kasîde-i Bürde diye meşhur olan kasidedir. Farklı biçim ve içerikte tezahür eden bu etkinin önemli bir görünüm biçimi de kasidenin Türkçe şerh ve tercümeleridir. Son yirmi yılda tedrici olarak artan bilimsel çalışmalar sayesinde, bu şerh ve tercümelerin literatürü büyük oranda ortaya çıkarılmış olsa da bu literatürü oluşturan metinlerin neşri konusundaki çalışmalar devam etmektedir. Bu çalışmada da Kasîde-i Bürde’ye yazılan manzum tercümelerden biri olarak 18. yüzyılda yaşadığı tespit edilen Koçhisârizâde Süleymân Tâlib’in yaptığı manzum tercüme ele alınacaktır. Bu bağlamda öncelikle tercümenin nazımı/yazarına dair bir tashih yapılarak konuyla ilgili birkaç çalışmada tercümenin Sükûtî mahlaslı Mehmed b. Şeyh Mustafâ’ya aidiyetinin hatalı olduğu ortaya konmuştur. Akabinde, neredeyse sadece Zeyl-i Siyer-i Veysî isimli eseri ile ancak son bir iki yılda gündeme gelen Koçhisârizâde Süleymân Tâlib’in biyografisi oluşturulmaya çalışılmıştır. Klasik biyografik kaynaklarda yer almadığı için onun biyografisi için temel olarak bu çalışma ile birlikte tespit edilen eserleri, oluşturduğu mecmuası ve sahip olduğu kitaplar ile bunlardaki kayıtlar kaynak alınmıştır. Yazarın tespit edilen eserlerine dair bilgiler verildikten sonra çalışmanın asıl konusu olan manzum Bürde tercümesi ayrıntılı olarak tanıtılıp üç nüshası üzerinden kurulan çeviri yazı metni sunulacaktır.

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Between Poem and Ritual: The Burda by al-Būṣīrī (d. 1294-1297)

Cited by 3 publications

References 0 publications

Jihadi Audiovisuality and its Entanglements

Jihadi Audiovisuality and its Entanglements

From the Arab Lands to the Malabar Coast: The Arabic mawlid as a Literary Genre and a Traveling Text

Koçhisârîzâde Süleymân Tâlib’in Manzum Kasîde-i Bürde Tercümesi

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