2012
DOI: 10.1016/j.annals.2012.05.028
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Between place and story: Gettysburg as tourism imaginary

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Cited by 96 publications
(56 citation statements)
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“…For instance, the narratives concerning Alcatraz in America and Robben Island in South Africa both provide the tourist audience with a sense of 'hope', but the penal museum in Ontario, Canada suggests indifference and intolerance as much as inspiration (Walby and Piche 2011;Strange and Kempa 2003). To explore further, tourist imagination also plays an important role in the reinforcement of competing ideologies, as many dark tourism activities seek to reconcile comparisons between imaged landscapes and topographical reality (Podoshen 2013;Chronis 2012). Whilst sites associated with human tragedy have received considerable academic attention, understanding experience at natural disaster sites remains extremely scarce, particularly earthquake sites (Prayag and Ryan 2012).…”
Section: Theoretical Contextmentioning
confidence: 99%
“…For instance, the narratives concerning Alcatraz in America and Robben Island in South Africa both provide the tourist audience with a sense of 'hope', but the penal museum in Ontario, Canada suggests indifference and intolerance as much as inspiration (Walby and Piche 2011;Strange and Kempa 2003). To explore further, tourist imagination also plays an important role in the reinforcement of competing ideologies, as many dark tourism activities seek to reconcile comparisons between imaged landscapes and topographical reality (Podoshen 2013;Chronis 2012). Whilst sites associated with human tragedy have received considerable academic attention, understanding experience at natural disaster sites remains extremely scarce, particularly earthquake sites (Prayag and Ryan 2012).…”
Section: Theoretical Contextmentioning
confidence: 99%
“…These include tourisms associated with the American Civil War (Chronis, 2012), the First and Second World Wars (Cooper, 2006;Scates, 2006;Winter, 2012), Vietnam (Henderson, 2000), Cambodia (Sion, 2011), Rwanda (Friedrich & Johnston, 2013), Sri Lanka (Hyndman & Amarasingam, 2014), Bosnia and Herzegovina (Causevic & Lynch, 2011;Naef, 2014), the Middle East (Milstein, 2013), as well as tours to more recent sites of terrorism (Sather-Wagstaff, 2011). Likewise, authors have developed a wide range of concepts and heuristic 'labels' to make sense of tourism practices and representations within potentially contested moral and memorial terrain, such as 'dark' or 'thanatourism' (Foley & Lennon, 1996;Seaton, 1999;Stone, 2006), 'battlefield tourism' (Dunkley, Morgan, & Westwood, 2011;Ryan, 2007), '(post-)war' or 'post-conflict tourism', 'atrocity heritage' (Ashworth, 2004;Fyall, Prideaux, & Timothy, 2006), or alternatively, 'Phoenix tourism' (Causevic & Lynch, 2011), 'reconciliation tourism' (Higgins-Desbiolles, 2003) as well as 'peace tourism' (Moufakkir & Kelly, 2010).…”
Section: Contested Memories and Dissonant Heritage In Tourismmentioning
confidence: 99%
“…The co-creation experience results from the interaction of an individual at a specific place and time and within the context of a specific act and environment (Prahalad and Ramaswamy, 2004). Chronis (2005Chronis ( , 2012 provides a number of examples of co-creation within the specific context of battlefields in his studies of Gettysburg (a key battle in the American Civil War of 1861-65). For example, he (2005, p.394) demonstrates that the story of the battle represents a type of 'puzzle' which visitors create for themselves:…”
Section: Literature Reviewmentioning
confidence: 99%