On Media Memory 2011
DOI: 10.1057/9780230307070_6
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Between Moral Activism and Archival Memory: the Testimonial Project of ‘Breaking the Silence’

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Cited by 13 publications
(6 citation statements)
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“…Defining collective memory as "a cultural field of struggle over meanings and values" (Katriel and Shavit 2011), I am interested in the Journal of Borderlands Studies | 2015 processes of integration or re-negotiation of the dominant memory frameworks by the oppositional or alternative voices (in our case, personal memories) as well as in the role, which the media discourse plays in re-shaping the national memory as an institutionally controlled milieu.…”
Section: Theoretical Framementioning
confidence: 99%
“…Defining collective memory as "a cultural field of struggle over meanings and values" (Katriel and Shavit 2011), I am interested in the Journal of Borderlands Studies | 2015 processes of integration or re-negotiation of the dominant memory frameworks by the oppositional or alternative voices (in our case, personal memories) as well as in the role, which the media discourse plays in re-shaping the national memory as an institutionally controlled milieu.…”
Section: Theoretical Framementioning
confidence: 99%
“…The therapeutic aims were clear, as the exhibition turned into a performative arena that mediated the war experience in multiple ways (see also Katriel and Shavit, 2011: 77). The exhibition was constructed in ways that amplified the lived experience (Lorenz, 2010: 88) and placed the audience in the midst of real-life events.…”
Section: Mediating the Civil War Memorymentioning
confidence: 99%
“…Eyewitnesses of different ages contributed their own and their family members’ recollections of the war, and the accounts were videotaped and shown at the exhibition. The creation of testimonials is a soul-searching process through which people encounter their pasts and reflect on moral questions (Katriel and Shavit, 2011: 81). As such, testimonials resemble therapeutic encounters that aim to bring out the repressed memories as well as understand and renegotiate their meaning.…”
Section: Mediating the Civil War Memorymentioning
confidence: 99%
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“…“Collective memory,” as an analytic concept, still dominates our reflections on the manner in which nations and societies think about and represent their histories. Researchers from many countries and numerous disciplines, especially history, continue to contribute to the discourse on CM: politics (Ergur, 2009; Rahman, 2010), sociology and cultural studies (Colak, 2006; West, 2008), discourse analysis (Tilega, 2008), media (Lachover and Gavriely-Nuri, 2011; Meyers et al, 2009; Neiger et al, 2011; Zandberg, 2010), psychology (Saito, 2006), gender studies (Liebman, 2004), ethics (Gavriely-Nuri and Lachover, 2012; Katriel and Shavit, 2011; Margalit, 2002), cognitive science (Wilson, 2005), the plastic arts (Marcuse, 2010) and even music (Sheffi, 2004).…”
mentioning
confidence: 99%