“…In the 1980s, a series of books that addressed issues at the interface of language and literature was launched (Carter, 1988), and a number of textbooks intended to sensitize students to verbal art appeared (e.g. Brumfit and Carter, 1986; Carter and McRae, 1996; Carter et al, 1989; Clark, 1996; McRae, 1991; Short, 1989, 1996; Short and Candlin, 1989; Simpson, 1997; Thornborrow and Wareing, 1998; Toolan, 1998; among others). They had a common goal: turn to stylistics “to help students discover ambiguities, layers of meaning and any irregular patterning within a text which a different approach might leave undiscovered” (Clark and Zyngier, 2003: 340; see also Verdonk, 2013).…”