2011
DOI: 10.1080/17449855.2011.614771
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Benjamin’sArcades Projecttoday: From the European metropolis to the global city

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Cited by 5 publications
(3 citation statements)
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“…Pusca (2010) describes this as the 'aesthetics of change', noting how change is reflected in Benjamin's descriptions of a rapidly transforming European modernity. The Arcades Project examines the Paris arcades as historical sites bringing together the past and present, local and cultural and moreover anticipating both hybrid and virtual cultures (Geobel, 2011).…”
Section: 'Aesthetics Of Change': Sociologists In the Shopping Mallmentioning
confidence: 99%
“…Pusca (2010) describes this as the 'aesthetics of change', noting how change is reflected in Benjamin's descriptions of a rapidly transforming European modernity. The Arcades Project examines the Paris arcades as historical sites bringing together the past and present, local and cultural and moreover anticipating both hybrid and virtual cultures (Geobel, 2011).…”
Section: 'Aesthetics Of Change': Sociologists In the Shopping Mallmentioning
confidence: 99%
“…He specifies that "culture" is not the single or even the dominant key to globalisation, but that "these transformations change the very fabric of cultural experience and, indeed, affect our sense of what culture actually is in the modern world" (2011, p. 489). Goebel (2011) argues that 19 th century Paris relied on non-Western imagery to help form its European identity. "Benjamin's Paris, the western capital of the 19 th century, reflects a crucial transition with respect to European urban modernity, where culture is still tied to local traditions even while already being affected by agents -world exhibitions, panoramas, the display and consumption of "foreign" commodities -that begin to break up the "natural" identity of culture and the local" (Goebel, 2011, p. 489).…”
Section: The Contemporary Flâneur In Tropical Asiamentioning
confidence: 99%
“…O argumento central é que o urbanismo ecológico é um movimento ou um conceito válido para promover a resiliência, a sustentabilidade e uma diversidade socioambiental que valorize as localidades, apresentando assim uma resistência a processos e padrões hegemônicos de um urbanismo globalizado. Ao mesmo tempo, se desvirtuado, pode prover uma ferramenta para a intensificação da lógica capitalista de produção do espaço urbano, criando uma fantasmagoria predatória e discriminativa de Arcades verdes (BENJAMIN, 1999;FENTON, 2020;GOEBEL, 2011).…”
Section: Introductionunclassified