Abstract:This article offers an analysis of a period of autoethnographic fieldwork conducted at Venture Arts, an art studio in Manchester (UK) that provides infrastructure to support people with intellectual disabilities to participate in the visual arts. The analysis is concerned with two 'discomfort zones' that have become apparent in the research period. The first is my positionality as a researcher in the studio space. In this section I draw on new materialism and critical disability studies to propose my methodolo… Show more
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