Abstract:Set in post-Thatcherite Scotland, critics generally agree that Irvine Welsh's Trainspotting (1993) mirrors the emergence of rampant individualism and the disintegration of working-class communities in the UK. To support this view, they consider the lack of a sense of fraternity in the group and the characters' fear of intimacy as indicative of individualism. However, it is possible to see Welsh's 'trainspotters' not as atomised individuals, but as members of an alternative communitarian assemblage, as theorise… Show more
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