Beethoven, Ludwig van

On the Four Misfortunes to the Works of Beethoven

“…William Drabkin put forward that as early as 1818 a writer had proposed a three-period division of Beethoven's works and that such a division (albeit often adopting different dates or works to denote changes in period) eventually became a convention adopted by all of Beethoven's biographers, starting with Schindler, F.-J. Fétis and Wilhelm von Lenz [5] . Later writers sought to identify sub-periods within this generally accepted structure.…”

“…The three early piano quartets of 1785 (WoO 36) show his dependency on the music of the period. Beethoven himself was not to give any of the Bonn works an opus number, save for those which he reworked for use later in his career [8] .The work of Beethoven is a very important part of the Beethoven's Piano Sonatas in the Three Periods', an in-depth analysis of the styles of Beethoven's works is conducted according to these three periods. [9] [10] [11] In his article 'The style and analysis of Beethoven's works', Chen Yanru also analyses the reasons for the formation of Beethoven's musical style from four aspects: the influence of his musical predecessors, the influence of his life experiences, the influence of philosophical schools of thought at the time and the influence of the social environment.…”

The influence of tonal structure on tension experience in sonata pieces by Mozart and Beethoven

“…, 三个部分呈现出固定的调性布局, 且展开部的转 调频率与转调距离大于呈示部与再现部 (Belkin, 2018;Webster, 2001)。贝多芬在其基础上, 进一步 拓展了奏鸣曲式的表现力与结构功能 (Kerman et al, 2001;邹彦, 2018) (Berry, 1976;Hindemith, 1937) (Bigand & Parncutt, 1999;Bigand et al, 1996;Sun et al, 2020) (Bigand et al, 1996;Bigand & Parncutt, 1999;Lerdahl & Krumhansl, 2007 (Bigand et al, 1996;Farbood & Finn, 2013;Toiviainen & Krumhansl, 2003;Williams et al, 2011)…”

“…杨玉芳, E-mail: yangyf@psych.ac.cn 调(Kerman et al, 2001;Lockwood, 2005)。虽然已 有研究 发现 很 多声学 要素 也 能够传 递音 乐 情感 (e.g.,Farbood & Finn, 2013;Granot & Eitan, …”