Becoming Unggan Women: Subjectivity and Individuality
Fahmi Marh,
Yang Junchu,
Selvi Kasman
et al.
Abstract:The women who play music in Nagari Unggan are Minangkabau women. Nagari Unggan women's freedom to play music without men is an anomaly for the Minangkabau indigenous people. Women's liberation becomes something discordant or taboo. His present free existence can be in the form of subordination, and vice versa can be in respect and emancipation. This paper will reveal the free event of the Unggan Woman as becoming or becoming a woman to being Parewa. This research on the narrative of female music players from C… Show more
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