Metal Plating and Patination 1993
DOI: 10.1016/b978-0-7506-1611-9.50007-8
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Beauty is skin deep: evidence for the original appearance of classical statuary

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Cited by 11 publications
(9 citation statements)
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“…The findings provided by the SAM analysis of the bronze are consistent with all of passages A–D. In other words, despite the almost unanimous scepticism with which Pliny's accounts—especially the accounts somehow related to scientific topics—are generally received (Wallace‐Hadrill 1990; Craddock and Giumlia‐Mair 1993; French 1994, 241–55), he proves to be a quite reliable reference allowing us to explain the ‘high’ amount of carbon species found on the metallic surface of the artefact.…”
Section: Materials Results and Pliny's Accountsupporting
confidence: 71%
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“…The findings provided by the SAM analysis of the bronze are consistent with all of passages A–D. In other words, despite the almost unanimous scepticism with which Pliny's accounts—especially the accounts somehow related to scientific topics—are generally received (Wallace‐Hadrill 1990; Craddock and Giumlia‐Mair 1993; French 1994, 241–55), he proves to be a quite reliable reference allowing us to explain the ‘high’ amount of carbon species found on the metallic surface of the artefact.…”
Section: Materials Results and Pliny's Accountsupporting
confidence: 71%
“…In the light of points (i)–(iii), we can therefore think of organic substances as being the main source of the carbon enrichment observed on the metal side of the bronze, and the practice in the Roman world of rubbing bronze objects with oil, pitch and bitumen (all hydrocarbon‐based substances) seems to be the most sensible explanation. Pliny dealt with this topic in several passages of the Naturalis Historia , as remarked by Craddock and Giumlia‐Mair (1993, 35–6):…”
Section: Materials Results and Pliny's Accountmentioning
confidence: 99%
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“…The famous bronze statues found in the sea near Riace in Calabrien had lips and eyebrows of copper, teeth of silver, and eyes of ivory [8,9]. The same polychrome use of different metals and other materials is known from a number of other Greek and Roman statues.…”
Section: Roman Casting Techniquementioning
confidence: 98%