2019
DOI: 10.18432/ari29419
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Beadworking as an Indigenous Research Paradigm

Abstract: In this article, I outline three principles that form the conceptual basis of an emerging Indigenous research paradigm that I call beadworking. I then relate how beadworking informs my understanding of and engagement with an Indigenous research methodology. Beadworking addresses how Indigenous Peoples’ creation of beadwork can be used to help Indigenous researchers navigate the research process, while being grounded from within an Indigenous worldview. It is my hope that in sharing my research paradigm, it wil… Show more

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Cited by 14 publications
(6 citation statements)
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References 6 publications
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“…For this quantitative research study, Beadworking (Prete, 2019) was used as a research paradigm and theoretical framework, while being grounded from a Blackfoot worldview. The three principles of Beadworking were applied to the study.…”
Section: Methodsmentioning
confidence: 99%
“…For this quantitative research study, Beadworking (Prete, 2019) was used as a research paradigm and theoretical framework, while being grounded from a Blackfoot worldview. The three principles of Beadworking were applied to the study.…”
Section: Methodsmentioning
confidence: 99%
“…I adapted the surveys to include the principle of Beadworking as an act of resistance, which is built upon Martin's (2002) privileging the voices of Indigenous Peoples. Thus, I used the surveys in such a way as to return the colonial gaze, that forwards an Indigenous agenda (Prete, 2019).…”
Section: Methodsmentioning
confidence: 99%
“…Although it may be less visible than other forms of resistance, beading draws attention to and affirms the relations to land and kin upon which life depends. Moreover, although often classified as a “mere” example of material culture, as a means of artistic and political expression and mode of knowledge transmission, beading offers a methodology for intellectual inquiry activates relations to community and place (Prete, 2019; Ray, 2016).…”
Section: Nadia Myre’s Indian Act: Belonging Without Propertymentioning
confidence: 99%
“…Amendments to the Indian Act made in 1884 outlawed activities such as the potlach, and in 1885 these prohibitions were extended to all forms of ceremony, including dancing. Consequently, both beading and appearing in beaded regalia were banned, and those found to participate in these activities or who encouraged such activities were subject to punishment by imprisonment, which had a direct impact on the practice and status of beading (Prete, 2019). The criminalization of these practices and signaled “a kind of cultural death,” as the products of beading were rendered illegal and beaded objects were seized, and often placed in museums (Racette, 2017).…”
Section: Nadia Myre’s Indian Act: Belonging Without Propertymentioning
confidence: 99%