Barulho! Vamos deixar cantar o Fado Bicha. Cidadania, resistência e política na música popular contemporânea

Guerra, Paula

doi:10.11606/1678-9857.ra.2022.197977

Cited by 3 publications

(2 citation statements)

References 22 publications

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“…However, these inequalities are not limited to men and women and become more apparent in relation to non-binary genders. In the artistic field, such as the music industry (Strong and Cannizzo, 2017), they are even more evident (Guerra, 2020(Guerra, , 2022. Fernanda addresses these inequalities in her fanzines.…”

Section: Does the Liberation Of The Earth Imply The Liberation Of Women?mentioning

confidence: 99%

“…We see the emergence of some codes of queer action that identify differences and question the normative view's forms of control, creating a series of tensions between appearances, obligations and meanings of self. This questioning is evident in Meireles' artwork (Guerra, 2022). If the hegemonic masculine view seeks man's pleasure, a queer view questions any expression taken as 'normal' and emphasises the transformability of identities.…”

Section: Does the Liberation Of The Earth Imply The Liberation Of Women?mentioning

confidence: 99%

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DIY, fanzines and ecofeminism in the Global South: ‘This city is my sister’

Guerra

2023

DIY, Alternative Cultures & Society

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In late modernity, artistic-social movements play a central role in renewing societal processes. This article aims to understand how the do-it-yourself (DIY) ethos builds bridges of understanding for these challenges, taking the artistic practice of fanzine production of Fernanda Meireles as a starting point. Based on a qualitative methodology, we analyse Meirele's use of a DIY ethos and practice, contextualised within ecofeminism, the Anthropocene and the Phallocene, as well as in the city of Fortaleza, Brazil, where Meireles resides. Through a DIY lens, we highlight the perspectives that favour the resignification of urban spaces in new territorialities, giving rise to new ways of relating to the city and criticising or contesting it using an ecofeminist perspective of (re)existence in the face of the Anthropocene and the Phallocene.

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Section: Does the Liberation Of The Earth Imply The Liberation Of Women?mentioning

confidence: 99%

Section: Does the Liberation Of The Earth Imply The Liberation Of Women?mentioning

confidence: 99%

DIY, fanzines and ecofeminism in the Global South: ‘This city is my sister’

Guerra

2023

DIY, Alternative Cultures & Society

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Underground Artistic-Creative Scenes Between Utopias and Artivisms

Guerra

2023

Journal of Cultural Analysis and Social Change

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This article focuses on two countries usually represented as (semi-)peripheric: Portugal and Brazil. At stake is a metaphorical perspective of the Global South as equivalent to most (although not all) low-income and often politically or culturally marginalised territories. The use of this concept marks a shift from a central focus on development or cultural difference towards an emphasis on geopolitical power relations. Using the examples of Brazil’s PWR Records and padê editorial, and Portugal’s Príncipe Discos, the article highlights a series of manifestations of a radical habitus that has materialised in underground musical-creative creations, which increasingly have emerged as a stage for contemporary resistance. These examples demonstrate the spurious nature of the division between the concepts of the art of resistance and the art of existence: they are artivist resistances that enact working utopias. In many such projects, we find artivists with a (sub)cultural do-it-yourself background, who are not afraid to combine art and politics, and who reject the old idea of ‘art for art’s sake’. An art of resistance emerges that, in the cases analysed, is linked to the adherence to new social movements, such as feminism, LGBTQIA+ rights, the right to the city and anti-racism. Using a qualitative methodology, with a strong multi-sited ethnographic slant based on interviews and documentary analysis, we demonstrate how the artistic imagination of contemporary youth is materialised in combined resistance and existence for a place in the world.

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Melodias de resistência: a música como voz e força transformadora no Brasil

Barbosa Junior,

Correa

2023

Revista Científica Multidisciplinar Núcleo do Conhecimento

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Este artigo aborda o papel da música como forma de expressão e resistência no contexto social brasileiro. Explora-se como artistas têm utilizado a música para confrontar desigualdades e injustiças, se tornando uma voz coletiva em busca de mudanças. O objetivo deste estudo é analisar o uso da música como ferramenta de mobilização nas lutas por direitos civis, liberdade e justiça social no Brasil, destacando sua relevância na transformação da sociedade. Realizou-se uma análise crítica de casos emblemáticos de artistas e movimentos musicais no Brasil, que se tornaram símbolos de resistência. Foram examinadas as diferentes formas pelas quais a música tem sido empregada como instrumento de conscientização e mobilização. A música demonstrou ser uma poderosa forma de expressão e mobilização, capaz de inspirar e influenciar gerações, além de desempenhar um papel fundamental nas lutas por justiça social. Assim sendo, a música desempenha um papel relevante na promoção de mudanças sociais no Brasil, fornecendo uma plataforma para enfrentar questões sociais e políticas de forma impactante e coletiva. Portanto, este estudo contribuiu para a compreensão do potencial da música como meio de transformação social, destacando sua importância como forma de resistência e conscientização.

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Barulho! Vamos deixar cantar o Fado Bicha. Cidadania, resistência e política na música popular contemporânea

Cited by 3 publications

References 22 publications

DIY, fanzines and ecofeminism in the Global South: ‘This city is my sister’

DIY, fanzines and ecofeminism in the Global South: ‘This city is my sister’

Underground Artistic-Creative Scenes Between Utopias and Artivisms

Melodias de resistência: a música como voz e força transformadora no Brasil

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