Abstract:This article calls for a reappraisal of the feminist discussion around painting in relation to contemporary practices by women, suggesting that all painting by women has something to offer the feminist critical thought. Playfully using Judy Chicago's reflections and strategies as a frame, the article explores how contemporary painters have engaged with the histories and communities of women to form new models of scholarship and practice. It examines the projects of painters Melissa Gordon, Nadia Hebson and the… Show more
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