2015
DOI: 10.1080/13613324.2015.1121219
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Are you gonna show this to white people?’: Chicana/o and Latina/o students’ counter-narratives on race, place, and representation

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Cited by 25 publications
(29 citation statements)
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“…I acknowledge that I unavoidably exploit the people whose experiences I share here. In an attempt to mitigate that, I aim to point to where they open spaces for counter-possibilities (Martínez, 2017) regarding how the focal students were institutionally positioned.…”
Section: Methodsmentioning
confidence: 99%
“…I acknowledge that I unavoidably exploit the people whose experiences I share here. In an attempt to mitigate that, I aim to point to where they open spaces for counter-possibilities (Martínez, 2017) regarding how the focal students were institutionally positioned.…”
Section: Methodsmentioning
confidence: 99%
“…For example, scholars have found gaps in cultural values between ethnic minorities and universities (Gupton et al 2009;Harper 2012;Locke 2017), with the dominant culture naturally isolating ethnic minority students (Reay et al 2001;Maramba and Velasquez 2012). An oppressive classroom environment was found in white-majority American and British colleges and universities, where white culture was dominant and indubitable (Jessop and Williams 2009;Stromquist 2012;Martínez 2017).…”
Section: Definitions and Theories Of Acculturationmentioning
confidence: 99%
“…Deploying resonance alongside counter‐storytelling (Solórzano and Yosso 2002), I use resonance not only to refer to the affective feelings of belonging but also the amplification of Black visions, experiences, and concerns within society. Counter‐storytelling provides a way of challenging oppressive myths and stereotypes perpetuated by the empowered of society and operates as a form of “self‐definition” that can be “a source of strength and resilience” for those whose narratives have been abused or invisibilised (Martínez 2017; Solórzano and Yosso 2002; Wagaman 2016:228). Affirmative resonance can be redeployed externally to challenge anti‐Black narratives and assert one’s own voice through the practice of counter‐storytelling.…”
Section: Black Geographies Of Respite: Places Of Resistance Through Smentioning
confidence: 99%