Abstract:By taking Yorkshire Luddism as Shirley's (1849) framework, Charlotte Bront€ e places political violence at the centre of its narrative. Despite this, much of the novel's inclusions of violence are largely undescribed and even unwitnessed, often displaced to another site, such as a letter or nameless voice. When politically motivated attacks committed by working-class characters are represented, these moments are mediated by an uppermiddle-class spectator or translator. This paper seeks to identify and explore … Show more
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