2001
DOI: 10.2307/3177240
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Aworan: Representing the Self and Its Metaphysical Other in Yoruba Art

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Cited by 34 publications
(16 citation statements)
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“…The peoples with different Yorùbá dialects such as the Ijebu, Ifẹ, and Ọyọ existed as independent polities. This showcases the heterogeneity of this ethnic group (Lawal 2001), but there is a lot of evidence supporting the homogeneity of the Yorùbá; for example, the shared origin myth that the Yorùbá people are descendants of Odùduwà (Omobowale 2008). The rise of homogeneity among the Yorùbá sub-groups was facilitated by the dynamics of the internationalisation of political and economic forces, which favours generalisation.…”
Section: A Succinct Ethnography and The Socioeconomic Character Of Thmentioning
confidence: 92%
“…The peoples with different Yorùbá dialects such as the Ijebu, Ifẹ, and Ọyọ existed as independent polities. This showcases the heterogeneity of this ethnic group (Lawal 2001), but there is a lot of evidence supporting the homogeneity of the Yorùbá; for example, the shared origin myth that the Yorùbá people are descendants of Odùduwà (Omobowale 2008). The rise of homogeneity among the Yorùbá sub-groups was facilitated by the dynamics of the internationalisation of political and economic forces, which favours generalisation.…”
Section: A Succinct Ethnography and The Socioeconomic Character Of Thmentioning
confidence: 92%
“…Other important scholarly work on issues surrounding the heads and Yorùbá sculpture in general include Bascom (1990), Warner, O. andWillett F. (1975), Drewal H. (1989), Herbert E. W. (1973), Lawal B. (2001), Chikwendu et al (1989), H. Barker (1965, Adepegba C. (1986) and Blier P. S. (1985) and (2012) to mention a few.…”
Section: Brief Background and Methodologymentioning
confidence: 99%
“…Lajuwa reportedly hid the corpse of the late king and took the royal regalia -using it as a disguise, he impersonated the king until he was eventually caught and beheaded. (Lawal, 2001). A terracotta head was made to represent Lajuwa.…”
Section: Fig 4: the Olokunheadmentioning
confidence: 99%
“…8 In the process he destroyed centuries of painting, going well beyond the typical boundaries of inspiration and appropriation. 9 Aside from their superior technical skill, Zhang's collaborators may seem like a random choice for a partnership, until one considers the long Tibetan presence in the region, going back to the period of Tibetan control of Dunhuang during the eighth and ninth centuries. Later, during the early modern period, Qing imperial armies reestablished imperial hegemony over the western regions in the eighteenth century, and, in the modern period, the neocolonial Republican project fixed its sights on an inner frontier reclamation from the 1920s through the 1940s.…”
Section: Sarah E Frasermentioning
confidence: 99%