“Avant-Garde Film” Goes Digital Video: How Does the United States Fund Digital Video Art and Experimental Filmmaking?

Daly, Kristen

doi:10.1007/978-3-319-71716-6_29

Cited by 2 publications

(3 citation statements)

References 8 publications

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“…For example, FC projects, such as Tiny Times 3, Tiny Times 4, Wolf Totem, and Impossible, were initiated on Alipay, and investment insurance contracts set their return plans. Also, FC projects such as The Golden Era were initiated on "Baidu Finance," and their return plans were set by trust contracts (Chin, Jones, McNutt, & Pebler, 2014;Daly, 2018;Galuszka & Brzozowska, 2017;Scott, 2015).…”

Section: Literature Review and Hypothesesmentioning

confidence: 99%

“…Similarly, PNMV 1 , PNMV 2 , and PNMV 3 are formative constructs. Supporting these measures, Gerber, Hui, and Kuo (2012) found the motivations of founders of FC included the seeking of rewards, supporting the creators, and social networking (Belleflamme et al, 2015;Chen & Wang, 2018;Daly, 2018;Hobbs et al, 2016;Mollick, 2014;Tekeo glu, 2015). Fanea-Ivanovici (2019) found the rewards offered by the FC projects included film-related experience or byproducts (e.g., mugs, T-shirts, posters, badges, DVDs, and invitations to the premiere), public acknowledgment, and the roles, ideas, opinions, suggestions from the film.…”

Section: Literature Review and Hypothesesmentioning

confidence: 99%

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The study on the relationships among film fans’ willingness to pay by film crowdfunding and their influencing factors

Huang

2020

Economic Research-Ekonomska Istraživanja

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The present study examined the relationship between film fans' willingness to pay by film crowdfunding (WPFC) and the incentives of film crowdfunding (FC) in China, which include material and non-material rewards. Moreover, this paper examined the mediating effects of film fans' perceived conveniences and risks of film crowdfunding platforms (FCPs) and the moderating effect of fans' individual characteristics such as gender, age, monthly income, monthly investment, and monthly expenditure on watching movie on the relationship between WPFC and incentives of FC. An online questionnaire was developed to investigate film fans in China, and 505 valid reports from film fans with a monthly expenditure for movies higher than zero were included in the data analysis. Structural equation modeling showed that most Chinese fans tend to sponsor projects published in FCPs, and their WPFC were affected by perceived values of non-material feedback but not by perceived values of material feedbacks. Moreover, film fans' perceived risks of FCP have significant mediating effects on the relationship between WPFC and incentives of FC, whereas their perceived convenience of FCP did not have a significant mediating effect. Furthermore, film fans' gender, age, monthly income, monthly investment, and monthly expenditure for watching movies had a moderating impact on these relationships.

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Section: Literature Review and Hypothesesmentioning

confidence: 99%

Section: Literature Review and Hypothesesmentioning

confidence: 99%

The study on the relationships among film fans’ willingness to pay by film crowdfunding and their influencing factors

Huang

2020

Economic Research-Ekonomska Istraživanja

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“…The literature [14] constructed the framework structure of the animation design system based on digital media technology and determined that the system could operate normally and stably through corresponding tests on the system. The literature [15] studied the development of digital video art in the United States and found that the changes in the practice and definition of film and video animation driven by the popularity of digital media technology have also opened up new opportunities for artists. The literature [16] compared digital media art with 2D animation technology and found that the 3D digital animation of digital media technology has a stronger effect, which can further highlight the three-dimensionality and realism of characters and scenes and make it easier for the audience to feel immersive in the process of watching animation.…”

Section: Introductionmentioning

confidence: 99%

The application of digital media art in film and television animation based on three-dimensional interactive technology

Gao

2023

Applied Mathematics and Nonlinear Sciences

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As an emerging product of the rapid development of science and technology in the era of big data, digital media art is the application of various technologies, such as computer processing and digital special effects in film and television animation creation. This paper firstly takes digital media art as the research base and discusses the path of advancing digital media art in film and television animation. Secondly, the Web 3D interaction technology in digital media art is applied to the model building and animation generation of film and television animation, and the human body movements are captured to get the form reconstruction to generate SMPL human model parameters. Finally, a three-factor repeated measurement experiment and ablation experiment verified the feasibility and effectiveness of applying digital media art to film and television animation. The results show that the interaction of AOS and TT has a significant main effect on the total interaction time MT and F(15,43.213) = 62.329. In the ablation experiment, the increase points are 1.98, 1.63, and 1.52, which are greater than 1.5 on average. The application of digital media art to film and television animation proposed in this paper verifies the scheme’s feasibility through the ablation experiment and the three-factor repetition test. It also lays the foundation for the international development of Chinese film and animation.

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“Avant-Garde Film” Goes Digital Video: How Does the United States Fund Digital Video Art and Experimental Filmmaking?

Cited by 2 publications

References 8 publications

The study on the relationships among film fans’ willingness to pay by film crowdfunding and their influencing factors

The study on the relationships among film fans’ willingness to pay by film crowdfunding and their influencing factors

The application of digital media art in film and television animation based on three-dimensional interactive technology

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