2016
DOI: 10.1080/09298215.2016.1175481
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Automatic Synthesizer Preset Generation with PresetGen

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Cited by 12 publications
(18 citation statements)
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“…Other works that are strictly related to computational sound design are reported in [29], [30], [31], where genetic algorithms are used to estimate coefficients of synthesizers. Specifically, in [29] the concept of contrived and non-contrived matching is introduced, which is used also in this work.…”
Section: Introductionmentioning
confidence: 99%
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“…Other works that are strictly related to computational sound design are reported in [29], [30], [31], where genetic algorithms are used to estimate coefficients of synthesizers. Specifically, in [29] the concept of contrived and non-contrived matching is introduced, which is used also in this work.…”
Section: Introductionmentioning
confidence: 99%
“…The paper evaluates results in terms of spectral Euclidean distance. The envelope Euclidean distance is proposed in [31] and the relative spectral error in [30]. In [32] linear regression is used to estimate parameters using the Source-to-Distortion Ratio (SDR) [33], however the definition is not clear and there is no detail on how this can be applied to the regression scenario described in the paper.…”
Section: Introductionmentioning
confidence: 99%
“…More recent work has targeted specific FM software synths [16] and modular software synths [9,14]. The former case looks at relatively simple software synthesizers, comparing the GA's ability to match timbre with that of human programmers, finding that the computer finds more accurate results in significantly less time.…”
Section: Introductionmentioning
confidence: 99%
“…While other research has proven largely successful in supporting individual instruments [9,14,16], this work's primary challenge is designing a flexible optimization algorithm capable of handling the variety and number of parameters that may be available (simple FM synthesis models, or effects devices, often have a few parameters while commercial implementations, such as Native Instruments Massive and FM8, have over a thousand parameters), without using privileged knowledge about the synthesis model in question or specific parameter assignments.…”
Section: Introductionmentioning
confidence: 99%
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