2000
DOI: 10.1007/978-94-011-4317-2_9
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Automatic Stylisation and Modelling of French and Italian Intonation

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Cited by 26 publications
(6 citation statements)
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“…A particularly salient result from this study is that, regardless of pause class and the context in which a pause is deployed, pauses rarely exceeded 1.5 s (<2%). This finding is reiterated throughout the pause duration literature (see e.g., Campione & Véronis, 2002), evidence in itself that 1.5 s may be a landmark in the ethology of human timing. The value of 1.5 s is not to be taken as a fixed constant such as might be encountered in physics, but as a narrow region, perhaps better notated as 2 ± 1 s. The notion that 2 ± 1 s is a watershed in the experience of temporal duration derives from other sources as well.…”
Section: Resultssupporting
confidence: 57%
“…A particularly salient result from this study is that, regardless of pause class and the context in which a pause is deployed, pauses rarely exceeded 1.5 s (<2%). This finding is reiterated throughout the pause duration literature (see e.g., Campione & Véronis, 2002), evidence in itself that 1.5 s may be a landmark in the ethology of human timing. The value of 1.5 s is not to be taken as a fixed constant such as might be encountered in physics, but as a narrow region, perhaps better notated as 2 ± 1 s. The notion that 2 ± 1 s is a watershed in the experience of temporal duration derives from other sources as well.…”
Section: Resultssupporting
confidence: 57%
“…INTSINT as in Campione et al, 2000). Ananthakrishnan and Narayanan (2008) and Jeon and Liu (2012) retain only two possibilities for pitch accent (presence/absence) and only two for boundaries (presence/absence).…”
Section: Automatic Labeling Of Prosodymentioning
confidence: 99%
“…Third, the algorithms used range from rule-based systems (Mertens, 1987a(Mertens, , 1987b(Mertens, , 1989Campione et al, 2000;Campione and Véronis, 2001; Bartkova et al 2012) to supervised learning techniques, including HMM (Geoffrois, 1995), decision trees (Wightman and Ostendorf, 1994), neural networks, and so on (Braunschweiler, 2005;Ananthakrishnan and Narayanan, 2008;Wagner, 2009;Rosenberg, 2010). Jeon and Liu (2012) give a comparative overview indicating techniques (algorithms) and detection accuracy.…”
Section: Automatic Labeling Of Prosodymentioning
confidence: 99%
“…Stylizations come in many flavors; we are interested here in (semi-)automatic procedures. The Momel system [8,9] models the pitch curve by a quadratic spline function, as a sequence of parabolic segments. Other systems use linear regression to determine inflection points.…”
Section: Pitch Stylization Based On Tonal Perceptionmentioning
confidence: 99%