2015
DOI: 10.3389/fnins.2015.00013
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Auditory working memory for objects vs. features

Abstract: This work considers bases for working memory for non-verbal sounds. Specifically we address whether sounds are represented as integrated objects or individual features in auditory working memory and whether the representational format influences WM capacity. The experiments used sounds in which two different stimulus features, spectral passband and temporal amplitude modulation rate, could be combined to produce different auditory objects. Participants had to memorize sequences of auditory objects of variable … Show more

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Cited by 19 publications
(17 citation statements)
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References 28 publications
(31 reference statements)
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“…In particular, when speech tokens are encountered close in time, talker continuity in speech can give rise to the perception of a continuous auditory stream (Best et al, 2008;Bressler et al, 2014). The advantage of auditory streaming for speech perception is that an entire stream is processed as a single perceptual object (Joseph, Kumar, Husain, & Griffiths, 2015;Macken, Tremblay, Houghton, N i Cunningham, 2012;Mathias & Kriegstein, 2014;Shinn-Cunningham, 2008;Sussman et al, 2007). Within psychoacoustics, it is well accepted that the sequence order of items within one stream are stored as part of the identity of the single auditory object (Bizley & Cohen, 2013;Griffiths & Warren, 2004); however, if streaming breaks down and tokens are perceived to be, and stored in memory as, distinct streams, it becomes difficult to judge the temporal order of the items (Bregman & Campbell, 1971;Vliegen, Moore, & Oxenham, 1999).…”
Section: Discussionmentioning
confidence: 99%
“…In particular, when speech tokens are encountered close in time, talker continuity in speech can give rise to the perception of a continuous auditory stream (Best et al, 2008;Bressler et al, 2014). The advantage of auditory streaming for speech perception is that an entire stream is processed as a single perceptual object (Joseph, Kumar, Husain, & Griffiths, 2015;Macken, Tremblay, Houghton, N i Cunningham, 2012;Mathias & Kriegstein, 2014;Shinn-Cunningham, 2008;Sussman et al, 2007). Within psychoacoustics, it is well accepted that the sequence order of items within one stream are stored as part of the identity of the single auditory object (Bizley & Cohen, 2013;Griffiths & Warren, 2004); however, if streaming breaks down and tokens are perceived to be, and stored in memory as, distinct streams, it becomes difficult to judge the temporal order of the items (Bregman & Campbell, 1971;Vliegen, Moore, & Oxenham, 1999).…”
Section: Discussionmentioning
confidence: 99%
“…Perceptual properties (e.g., perceived sound location) and not acoustic features of the sounds (e.g., interaural time or level differences) appear to be stored in STM . It is worth noting that this relative independence of the memory traces for various auditory features does not preclude a storage of auditory objects as an entity in memory …”
Section: Musical and Verbal Short‐term Memory In Healthy Individualsmentioning
confidence: 99%
“…Similar manipulations of interference indicate that attributes like pitch, loudness, and timbre are represented independently in STM (Caclin et al, 2006; Clement et al, 1999; Nousak et al, 1996; Semal and Demany, 1991). This feature-based representation distinguishes pSTM from WM, which operates on configural or item-based representations (Joseph et al, 2015). …”
Section: Behavioral Studies Of Auditory Memory In Monkeysmentioning
confidence: 99%