“…This bewildering quality of dissonant music might further contribute to the information complexity of dissonant intervals, producing cognitive demands on the listener that consonant, harmonic music does not. Consistent with these possibilities is a large body of literature showing that behavioral responses to complex (Patten, Kircher, Oslund, & Nilsson, 2004), ambiguous (MacDonald, Just, & Carpenter, 1992), conflicting (Eriksen & Eriksen, 1974;MacLeod, 1991;Sarmiento, Shore, Milliken & Sanabria, 2012;Stroop 1935), and unexpected (Crump, Gong, & Milliken, 2006, Jonides 1981Posner, Snyder, & Davidson, 1980;) stimuli take more time and are often less accurate than responses to simple, unambiguous, non-conflicting, and expected stimuli.…”