Media Anthropology 2005
DOI: 10.4135/9781452233819.n14
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Audience Ethnographies: A Media Engagement Approach

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Cited by 16 publications
(6 citation statements)
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“…); (c) 41 semistructured personal interviews with BB viewers; (d) 10 focus groups with a total of 70 viewers; and (e) selected participant observations with a live audience at the BB TV studio and with viewers at home and in the workplace. This research design enabled an examination of how the text of the media event and the associated paratexts (Gray, ) are interpreted by viewers, often in real time and within the wider sociocultural context of the events (La Pastina, ).…”
Section: Case Study and Methodologymentioning
confidence: 99%
“…); (c) 41 semistructured personal interviews with BB viewers; (d) 10 focus groups with a total of 70 viewers; and (e) selected participant observations with a live audience at the BB TV studio and with viewers at home and in the workplace. This research design enabled an examination of how the text of the media event and the associated paratexts (Gray, ) are interpreted by viewers, often in real time and within the wider sociocultural context of the events (La Pastina, ).…”
Section: Case Study and Methodologymentioning
confidence: 99%
“…The primary advantage of an ethnographic study is the rich data obtained (La Pastina, 2005). Morley and Silverstone (1991) suggested there are benefits of studying media messages using ethnography, stating that the method provides a critical examination of diverse contexts of reactions with the goal of creating results that thoroughly represent the lived experiences of the subjects being researched (p. 149-150).…”
Section: Ethnographic Descriptionmentioning
confidence: 99%
“…Uma pesquisa que propõe um protocolo metodológico para pesquisas que envolvam engajamento midiático e etnografias de audiência é a de Antonio La Pastina (2005), que considera a noção de engajamento em relação à "totalidade da experiência midiática", por exemplo, "desde a leitura sobre o show até os atos de assisti-lo, falar sobre e lembra-lo, e assim por diante" (La Pastina, 2005, p. 143), em um sentido semelhante aos estudos de fãs mencionados acima. A sua proposta identifica quatro estágios para os processos de engajamento: leitura, interpretação, apropriação e mudança.…”
Section: Pensamento Midiático Comunicacionalunclassified