Audience-artwork interaction

Schraffenberger, Hanna; Heide, Edwin van der

doi:10.1504/ijart.2015.069550

Cited by 2 publications

(1 citation statement)

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“…To further unpack audience participation in musical performances, it is helpful to understand how audiences' interactivity has been incorporated into a variety of creative genres and mediums from a comparative standpoint. Many practitioners and researchers have already explored artist and audience interactivity in visual art practice over the years (Ritter, 1996;Candy & Edmonds, 2002;Schraffenberger & Van der Heide, 2015;Rutten, 2018). For instance, in a visual art context, Suhr (2018) explored the augmented reality art series "Flame" to unpack the interactivity between the audience and the artist.…”

Section: Contextualizing Audience Interactivity and Challengesmentioning

confidence: 99%

Designing Audience Participation and Gamification in Intermedia Performance

Suhr

2023

International Journal of Art, Culture, Design, and Technology

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“Humanity: From Survival to Revival” (“Dystopia to Utopia”) is a participatory survival game and audiovisual performance work that depicts the transformation of the dystopian state of humanity to utopianism in both the visual and sonic realms. Audience members are invited to participate in humanity's interactive survival games and to contribute their photographic facial outlines as visual content for the performance. This paper explores the theoretical framework behind designing audience participation and interaction by reflecting on the notion of dystopia as related to the COVID-19 pandemic, while also reflecting on this event's outcomes and challenges. In doing so, this study showcases the process of visual transformation, depicting the transition from dystopian to utopian paradigms via audience participation and musical performance.

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Section: Contextualizing Audience Interactivity and Challengesmentioning

confidence: 99%