2010
DOI: 10.5937/geopan1003092b
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Attitudes of experts from Novi Sad on the use of the authentic setting of the Petrovaradin fortress as the venue for the exit festival

Abstract: The EXIT festival is one of the biggest cultural and social projects running in Serbia based on the concept of modern European festivals. The festival takes place on the Petrovaradin Fortress, which is immovable cultural asset of extraordinary importance. It belongs to the category of unique cultural and historic fortification structures with distinctive architectural and artistic values, with special emphasis on its cultural history.Former researchers and practice have showed that both the attendees and organ… Show more

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Cited by 3 publications
(3 citation statements)
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“…Not only that festivals attract the visitors to the venue, but they could also contribute "the creation of a positive image of a destination and they could enhance the tourists' experience and shape the length of their staying" (Besermenji et al, 2010). According to that, when participants were asked if participation in the festival and visiting the city improved their perception of Serbia, 67.7% of them positively and highly rated this attitude, which is one of the main goals of tourism practitioners.…”
Section: Resultsmentioning
confidence: 99%
“…Not only that festivals attract the visitors to the venue, but they could also contribute "the creation of a positive image of a destination and they could enhance the tourists' experience and shape the length of their staying" (Besermenji et al, 2010). According to that, when participants were asked if participation in the festival and visiting the city improved their perception of Serbia, 67.7% of them positively and highly rated this attitude, which is one of the main goals of tourism practitioners.…”
Section: Resultsmentioning
confidence: 99%
“…People in Serbia often referred to the movement as the beginning of the end of Slobodan Milošević's images of places; moreover, cultural and natural landscape features greatly assist how we understand aspects of aesthetic design and/or representation (Arntzen & Brady, 2008;Kirillova, Fu, Lehto, & Cai, 2014;Maitland & Smith, 2009;Strannegård & Strannegård, 2012;Weaver, 2009). It has been acknowledged that aesthetics influence destination choice because people want to experience and gaze at the beauty of natural or cultural landscapes (Andrews, 1989;Barretto, 2013;Besermenji, Pivac & Wallrabenstein, 2010;Colbert, 2002;Ely 2003;Waterton & Watson, 2014). Knudsen et al (see the article in this issue) suggest there is not only a need to construct an understanding of aesthetic concepts based around place and landscape, but it is important to explore how aesthetic meanings are communicated.…”
Section: The Exit Festivalmentioning
confidence: 99%
“…Due to the negative political developments, Serbia has acquired a negative image as a tourist destination (Howard, Allen, 2008). Therefore, tourism should be focused on creating a positive image and strive to increase the volume of the tourist traffic through a greater supply of qualitative and quantitative variables -the better development of different types of tourism through the selective affirmation of natural, anthropogenic and cultural content, and better management of these resources (Jovicic, 2008;Besermenji et al, 2009;Stetic, Simicevic, 2008;Stojanovic, Stamenkovic, 2008;Ivkov-Dzigurski et al, 2008;Ivkov et al, 2007;Dragin et al, 2007;Besermenji et al, 2010).…”
Section: The Competitiveness Of Serbian Tourismmentioning
confidence: 99%