Attic White-Ground Cups: A Special Class of Vases

Mertens, Joan R.

doi:10.2307/1512657

Metropolitan Museum Journal

1974

DOI: 10.2307/1512657

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Attic White-Ground Cups: A Special Class of Vases

Joan R. Mertens¹

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“…Middle left, the Gotha cup, white-ground kylix, c. 500 BCE, Schlossmuseum Gotha and the Staatliche Museen, Berlin. Image: adapted from Mertens (1974), p. 98. Lower left, detail with Juno and Jove, Loves of the Gods , Anibale Carraci, 1597–1603, Palazzo Farnese, Rome.…”

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Resurrecting Oedipus: Poussin’s Birth of Bacchus.

Tutter¹

2016

Psychoanalytic Psychology

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The controversial canvas, Nicolas Poussin's Birth of Bacchus, is fundamentally reconstrued as representing not only Ovid's serial narration of the myths of Bacchus and of Narcissus and Echo in The Metamorphoses, but also the history of this text. In particular, Poussin alludes to the intertextual relationship between Ovid's Narcissus and Sophocles' Oedipus. Poussin's interpretation of classical myth points to a more complex interrelationship between dyadic and triadic dynamics in development. An interdisciplinary approach to the aesthetic interpretation of myth underscores the reciprocal value of the arts to psychoanalytic theory.

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confidence: 99%

Resurrecting Oedipus: Poussin’s Birth of Bacchus.

Tutter¹

2016

Psychoanalytic Psychology

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Timelessness, fluidity, and Apollo’s libation

Gaifman¹

2013

Res: Anthropology and aesthetics

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Haimonian lekythoi from Delphi, Phokis and West Lokris in a geographical context

Volioti¹

2011

pallas

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Attic White-Ground Cups: A Special Class of Vases

Cited by 3 publications

References 0 publications

Resurrecting Oedipus: Poussin’s Birth of Bacchus.

Resurrecting Oedipus: Poussin’s Birth of Bacchus.

Timelessness, fluidity, and Apollo’s libation

Haimonian lekythoi from Delphi, Phokis and West Lokris in a geographical context

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