2014
DOI: 10.1093/ijtj/iju005
|View full text |Cite
|
Sign up to set email alerts
|

At the Convergence of Transitional Justice and Art

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2020
2020
2023
2023

Publication Types

Select...
5
2

Relationship

0
7

Authors

Journals

citations
Cited by 9 publications
(4 citation statements)
references
References 0 publications
0
3
0
Order By: Relevance
“…Second, and related to this, beyond the ‘presencing’ of these complex realities, when artistic practices engage with the notion of truth, they facilitate contestation and invite doubt about how we think about reality on the basis of victims’ lived experiences (Dirnstorfer and Saud, 2020). Because of their potential of accommodating opacity, ambiguity, instability and indeterminacy (Cole, 2014, 315), artistic practices can help to acknowledge the limits of the justice that official mechanisms can deliver and of the truths proposed in them (Breslin, 2017, 269), opening up a space where different and sometimes contradictory truths rooted in peoples’ lived realities can be expressed and explored. Arts can entertain the existence of multiple truths, including those often silenced in the public arena.…”
Section: Truth In (The Absence Of) Transitionmentioning
confidence: 99%
“…Second, and related to this, beyond the ‘presencing’ of these complex realities, when artistic practices engage with the notion of truth, they facilitate contestation and invite doubt about how we think about reality on the basis of victims’ lived experiences (Dirnstorfer and Saud, 2020). Because of their potential of accommodating opacity, ambiguity, instability and indeterminacy (Cole, 2014, 315), artistic practices can help to acknowledge the limits of the justice that official mechanisms can deliver and of the truths proposed in them (Breslin, 2017, 269), opening up a space where different and sometimes contradictory truths rooted in peoples’ lived realities can be expressed and explored. Arts can entertain the existence of multiple truths, including those often silenced in the public arena.…”
Section: Truth In (The Absence Of) Transitionmentioning
confidence: 99%
“…Because it engages on a sensory level, it can help transcend discord, accommodate difference, and nourish empathy in a way that purely cognitive, rational engagement cannot (Cohen 2005). Catherine Cole also talks about the centrality of the aesthetic to "represent and activate cultural memory, stimulate cultural imaginaries, generate participatory engagement, depict charged subjects [and] reveal depth, complexity and the effective and embodied dimensions" (Cole 2014). Art leaves the outcome of engagement open and tolerates multiple "truths."…”
Section: Conceptsmentioning
confidence: 99%
“…There is a gap between the reality of working creatively in unstable and highly sensitive situations and the expectations of donors for robust evidence of measurable outcomes (Fairey 2017). It can be hard to reconcile the instrumental bias of transitional justice and the noninstrumental bias of the arts, which may be fundamentally at odds, with artists valuing "opacity, ambiguity, irony, indirection, instability and disruption" (Cole 2014). As Catherine Cole argues, artists may want to keep transitional justice practitioners at arm's length.…”
Section: Dilemmasmentioning
confidence: 99%
“…What is relatively new, however, is increasing appreciation of the roles played by the arts in addressing conflict-related trauma in the contexts of peacebuilding and transitional justice. This acknowledgement has been manifested in a growing body of literature on the nature and functions of arts-based interventions in peacebuilding and transitional justice processes, as well as their effectiveness (Bahun, 2015; Baily, 2019; Cole, 2014; Elander, 2018; Fairey and Kerr, 2020; Garnsey, 2016; Jeffery, 2020; Kurze and Lamot, 2019; Rush and Simic, 2014; Zelizer, 2003). Among those who advocate the more explicit integration of efforts to address individual trauma and mental health in peacebuilding, the potential for the arts to play a significant role is also acknowledged (Tankink et al, 2017: 14).…”
mentioning
confidence: 99%